本文選題：文化產(chǎn)業(yè) + 傳統(tǒng)文化��； 參考：《江西理工大學(xué)》2012年碩士論文

【摘要】：西方發(fā)達(dá)國(guó)家憑借著他們?cè)谫Y本、技術(shù)和經(jīng)營(yíng)管理等方面上的優(yōu)勢(shì),迅速對(duì)國(guó)際市場(chǎng)進(jìn)行開拓,而廣大的發(fā)展中國(guó)家要想適應(yīng)當(dāng)代世界經(jīng)濟(jì)的發(fā)展,要想使本國(guó)的經(jīng)濟(jì)在經(jīng)濟(jì)全球化的進(jìn)程中占據(jù)相對(duì)有利的地位,就必須大幅度調(diào)整本國(guó)家的經(jīng)濟(jì)結(jié)構(gòu),轉(zhuǎn)變經(jīng)濟(jì)發(fā)展方式。而文化產(chǎn)業(yè)就是承擔(dān)著參與經(jīng)濟(jì)結(jié)構(gòu)調(diào)整的歷史性職責(zé)的一種產(chǎn)業(yè)形式。胡錦濤同志也曾于2010年2月3強(qiáng)調(diào)要加快轉(zhuǎn)變經(jīng)濟(jì)發(fā)展方式,并將“加快發(fā)展文化產(chǎn)業(yè)”放在了加快經(jīng)濟(jì)發(fā)展方式轉(zhuǎn)變的8項(xiàng)重點(diǎn)工作之中。 顧名思義,文化產(chǎn)業(yè)是與文化密切相關(guān)的,是以文化為核心和基礎(chǔ)的產(chǎn)業(yè)。尤其在目前我國(guó)傳統(tǒng)文化面臨著危機(jī)的情況下,通過發(fā)展文化產(chǎn)業(yè)使我國(guó)傳統(tǒng)文化得以傳承,體現(xiàn)文化產(chǎn)業(yè)的民族特色,是我國(guó)發(fā)展文化產(chǎn)業(yè)刻不容緩的重要方面。本文主要包括以下幾部分內(nèi)容： 第一章,引言部分主要介紹了本文的選題由來、研究背景和意義、相關(guān)研究現(xiàn)狀以及研究思路和創(chuàng)新之處。 第二章,從馬克思主義的文化觀入手,著重闡述了文化產(chǎn)業(yè)在現(xiàn)代社會(huì)發(fā)展中的戰(zhàn)略地位以及文化產(chǎn)業(yè)特色化發(fā)展的重要意義。 第三章,首先總結(jié)了我國(guó)文化產(chǎn)業(yè)規(guī)模不斷擴(kuò)大、文化產(chǎn)業(yè)從“中國(guó)制造”到“中國(guó)創(chuàng)造”以及文化消費(fèi)迅速升溫三方面的文化產(chǎn)業(yè)發(fā)展現(xiàn)狀與特點(diǎn),在此基礎(chǔ)上引出了我國(guó)文化產(chǎn)業(yè)特色化發(fā)展的不足之處,包括：文化資源運(yùn)用率低、缺乏有關(guān)文化產(chǎn)業(yè)特色化發(fā)展的政策法規(guī)、文化產(chǎn)品缺乏中華文化的內(nèi)在魅力、缺乏真正具有文化影響力和傳播力的強(qiáng)勢(shì)品牌。 第四章,從文化資源的內(nèi)涵、特點(diǎn)和對(duì)文化資源的開發(fā)利用入手,在從我國(guó)傳統(tǒng)哲學(xué)、宗教及文學(xué)藝術(shù)等方面總結(jié)了我國(guó)文化產(chǎn)業(yè)特色化發(fā)展的傳統(tǒng)文化資源優(yōu)勢(shì)的基礎(chǔ)上,提出了我國(guó)文化產(chǎn)業(yè)的發(fā)展要與我國(guó)傳統(tǒng)文化相結(jié)合并闡明了兩者結(jié)合的原則。 第五章,在對(duì)前四章內(nèi)容進(jìn)行總結(jié)歸納的基礎(chǔ)上,這部分內(nèi)容從傳承傳統(tǒng)文化精神,提升文化產(chǎn)品的獨(dú)特思想意境；融入傳統(tǒng)文化元素,增強(qiáng)文化產(chǎn)品的特色與魅力；豐富傳統(tǒng)文化內(nèi)容,促進(jìn)文化產(chǎn)業(yè)特色化發(fā)展與創(chuàng)新；健全人才培養(yǎng)機(jī)制,提高文化產(chǎn)業(yè)人才的傳統(tǒng)文化素養(yǎng)；完善法規(guī)制度建設(shè),營(yíng)造文化產(chǎn)業(yè)發(fā)展的良好環(huán)境五個(gè)方面具體闡述了挖掘和融合我國(guó)傳統(tǒng)文化促進(jìn)文化產(chǎn)業(yè)特色化發(fā)展的對(duì)策。
[Abstract]:Western developed countries, relying on their advantages in capital, technology and operation and management, have rapidly opened up the international market, and the vast number of developing countries want to adapt themselves to the development of the contemporary world economy. In order to make the national economy occupy a relatively favorable position in the process of economic globalization, it is necessary to adjust the economic structure of our country by a large margin and change the mode of economic development. And cultural industry is a kind of industry form that undertakes the historic responsibility of participating in the adjustment of economic structure. Comrade Hu Jintao also stressed the need to speed up the transformation of economic development mode on February 3, 2010, and put "speeding up the development of cultural industries" in the eight key tasks of speeding up the transformation of economic development mode. As its name implies, cultural industry is closely related to culture and is based on culture. Especially in the situation that our traditional culture is facing a crisis at present, it is an important and urgent aspect to develop the cultural industry in our country to pass on the traditional culture through the development of cultural industry and to embody the national characteristics of the cultural industry. This paper mainly includes the following parts: In the first chapter, the introduction mainly introduces the origin of the topic, the background and significance of the research, the current research situation, and the research ideas and innovations. In the second chapter, from the Marxist view of culture, the strategic position of cultural industry in the development of modern society and the significance of the characteristic development of cultural industry are expounded. In the third chapter, the author first summarizes the current situation and characteristics of the cultural industry from "made in China" to "created in China" and the rapid heating up of cultural consumption in the three aspects of the continuous expansion of the scale of cultural industry in China. On this basis, the shortcomings of the characteristic development of Chinese cultural industry are brought forward, including the low utilization rate of cultural resources, the lack of policies and regulations concerning the development of cultural industry, and the lack of inherent charm of Chinese culture in cultural products. Lack of real cultural influence and dissemination of strong brands. The fourth chapter, starting with the connotation, characteristics and exploitation and utilization of cultural resources, summarizes the advantages of traditional cultural resources in terms of traditional philosophy, religion and literature and art. This paper puts forward that the development of Chinese cultural industry should be combined with Chinese traditional culture and expounds the principle of combining the two. Chapter five, on the basis of summing up the contents of the first four chapters, this part of the content from the inheritance of the spirit of traditional culture, enhance the unique ideological conception of cultural products, blend into the elements of traditional culture, enhance the characteristics and charm of cultural products; Enrich the content of traditional culture, promote the characteristic development and innovation of cultural industry, perfect the training mechanism of talents, improve the traditional cultural literacy of talents in cultural industry, perfect the construction of laws and regulations, This paper expounds the countermeasures of excavating and merging Chinese traditional culture to promote the characteristic development of cultural industry from five aspects of creating a good environment for the development of cultural industry.
【學(xué)位授予單位】：江西理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：G124

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本文編號(hào)：1984931