【摘要】：目前，世界的剪紙基本上可分為東、西兩大派別，筆者分別選取了其中最具代表性的中國民間剪紙和德、法、英等國的歐洲剪紙進行系統(tǒng)的理論研究，在研究西方剪紙基礎上借鑒其傳承模式，提取其思維特征和在女裝應用中的設計語言；在研究中國民間剪紙的基礎上，“取其形”，“延其意”，然后結(jié)合西方的思維設計理念，將中國民間剪紙運用在現(xiàn)代女裝設計之中，從而促進中國民間剪紙的傳承和中國民族服裝品牌化。 民間剪紙在我國的發(fā)展歷程已過千年，蘊含了濃厚的民族文化。實用性和裝飾性兼?zhèn)涞闹袊耖g剪紙出自質(zhì)樸的民間藝人或農(nóng)民之手，體現(xiàn)了其集體性、傳承性、擴散性等特征。在受到中國傳統(tǒng)思維及中國人含蓄民族性格的影響下，民間剪紙呈現(xiàn)了其特殊民俗特征。而以德、法、英為代表的歐洲剪紙是以中國剪紙為母體在16、17世紀傳入歐洲。與中國剪紙完全不同的是最初的歐洲剪紙是有社會地位的女性在空閑時間里的藝術創(chuàng)造，后來它又受到西方古典主義藝術文化、現(xiàn)代主義主義文化、后現(xiàn)代主義藝術文化的影響以及與其它藝術形式風格的融合，產(chǎn)生了別具一格的特征。筆者對中國、歐洲剪紙進行系統(tǒng)詳實的理論對比性總結(jié)，，并發(fā)掘其在文化、地域背景下的本質(zhì)內(nèi)涵，填補歐洲剪紙理論研究的空白現(xiàn)狀，也提取了西方獨特的思維特征，為中國民間剪紙在現(xiàn)代女裝設計中的應用打下基礎。 民間剪紙藝術文化是中華文明的重要組成部分，只有保護、傳承好民間剪紙，才能夠使中國傳統(tǒng)文化更加輝煌。我們應該學習歐洲剪紙藝術的傳承模式，大膽而創(chuàng)新的突破剪紙原有尺度范圍，讓剪紙與現(xiàn)代的生活互為融合，才能讓中國民間剪紙真正隨著現(xiàn)代人的步調(diào)繼續(xù)傳承下去，達到剪紙文化的繁榮復蘇。 運用交叉學科的方式無疑有利于解決我們面臨的剪紙傳承問題，而選擇服裝實用裝設計與剪紙的融合，也將有利于把我國具有民族化的服裝設計推向世界，使之形成品牌化、產(chǎn)業(yè)化，擺脫我國服裝設計“模仿”現(xiàn)狀。筆者就順應這一趨勢，在提取西方剪紙的思維特征和西方剪紙在女裝應用中的設計語言的基礎上將中國民間剪紙延展其內(nèi)涵，提取其形狀然后應用到現(xiàn)代實用女裝設計之中，從而總結(jié)出一套切實可行的設計理論。在設計理念的指導下針對20—30年齡層的女性進行實踐設計及成品制作，最終提升和豐富其結(jié)合的理論分析，為指導剪紙的服裝設計實踐提出強而有力的理論支撐。
[Abstract]:At present, the world's paper-cut can basically be divided into East and West two major factions, the author selected the most representative of the Chinese folk paper-cut and Germany, France, Britain and other countries of the European paper-cut for a systematic theoretical study. On the basis of studying western paper-cut, draw lessons from its inheritance mode, extract its thinking characteristics and design language in the application of women's clothing; On the basis of studying the Chinese folk paper-cut, "take its shape", "extend its meaning", and then combine the western thinking design idea, apply the Chinese folk paper-cut to the modern women's dress design. Thus promote the inheritance of Chinese folk paper-cut and Chinese national clothing brand. The development of folk paper-cut in our country has been over a thousand years, which contains a strong national culture. Chinese folk paper-cut, which is both practical and decorative, comes from the hands of simple folk artists or farmers, which embodies the characteristics of collectivity, inheritance, diffusion and so on. Influenced by the Chinese traditional thinking and the implicit national character of the Chinese people, the folk paper-cut presents its special folk custom characteristics. The European paper-cut represented by Germany, France and Britain was introduced into Europe in the 16th and 17th centuries with Chinese paper-cut as its parent. Completely different from Chinese paper-cut, the original European paper-cut was the artistic creation of women with social status in their free time, and later it was subjected to western classical art culture and modernist culture. The influence of post-modernism art culture and the fusion with other art forms and styles have produced unique characteristics. The author makes a systematic and detailed theoretical comparative summary of Chinese and European paper-cut, and explores its essential connotation under the cultural and regional background, fills in the blank status quo of European paper-cut theory research, and also extracts the unique thinking characteristics of the West. It lays a foundation for the application of Chinese folk paper-cut in modern women's dress design. Folk paper-cut art and culture is an important part of Chinese civilization. Only by protecting and inheriting folk paper-cut can Chinese traditional culture be more brilliant. We should learn the inheritance mode of European paper-cut art, boldly and innovatively break through the original scale of paper-cut, so that paper-cut and modern life can be integrated with each other, so that Chinese folk paper-cut can really continue to inherit with the pace of modern people. To achieve the prosperity and recovery of paper-cut culture. The use of cross-disciplinary approach is undoubtedly conducive to solving the paper-cut inheritance problem we are facing, and the choice of practical clothing design and paper-cut integration will also be conducive to the nationalization of China's clothing design to the world, so that it will form a brand. Industrialization, get rid of our country clothing design "imitation" present situation. In accordance with this trend, on the basis of extracting the thinking characteristics of western paper-cut and the design language of western paper-cut in women's clothing application, the author extends the connotation of Chinese folk paper-cut, abstracts its shape and applies it to modern practical women's clothing design. Thus a set of feasible design theory is summarized. Under the guidance of the design concept, the practical design and finished product production are carried out for the women of 20 / 30 age group, and the theoretical analysis of the combination is finally promoted and enriched, which puts forward a strong and powerful theoretical support for guiding the clothing design practice of paper-cut.
【學位授予單位】：江南大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J528.1

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