中國剪紙藝術(shù)語言研究
發(fā)布時間：2019-04-29 20:32
【摘要】：中國剪紙，是人類非物質(zhì)文化遺產(chǎn)的重要組成部分，是中華民族文化的重要組成部分，至今已有三千多年的歷史。王樹村在《中國民間剪紙藝術(shù)史話》中這樣寫道“研究中國繪畫藝術(shù)者，常以南齊謝赫的六法為衡量作品高下的標(biāo)尺。六法之第一骨法用筆，亦可作線描功力要求來解釋，由此聯(lián)系到剪紙藝術(shù)。剪紙藝術(shù)如刻石作畫，不容更改，剪刀落處，當(dāng)即成形，難以增減補修，所以剪紙藝術(shù)堪稱中國繪畫線描技藝之再提煉，曾為西方現(xiàn)代派畫家所驚嘆和汲取”。中國傳統(tǒng)剪紙藝術(shù)在中國是作為一種母體的民間藝術(shù)存在的，它是我國廣大勞動人民在農(nóng)耕文化、民俗生活中為了滿足自身的精神生活需要而創(chuàng)造、應(yīng)用并流傳下來的一種民間藝術(shù)。因而，，民間剪紙具有群眾性強、地域性明顯、功能多樣、流傳廣泛的特點。剪紙貌似對外形刻畫不力求深入，但卻更注重其主觀精神及其本質(zhì)上的神似。其藝術(shù)語言單純而又質(zhì)樸，卻又是超越自然的表現(xiàn)，它不受價值觀念與功利思想的制約，卻能體現(xiàn)人類藝術(shù)最基本的精神品質(zhì)和審美觀念。然而，剪紙在中國藝術(shù)史上卻沒有占到其應(yīng)有的地位，卻以其頑強的生命力，一直存在于人們的生活中，以其最樸素的形象，成為一種民間傳承的中國文化形象。我國對本國剪紙的研究落后于別國，與中國美術(shù)史等一樣，先是由外國人收集資料，整理出版。 隨著社會經(jīng)濟的急速發(fā)展和全球化趨勢的加強，傳統(tǒng)的原生態(tài)的剪紙藝術(shù)正面臨著消亡的危險，這一現(xiàn)象逐漸引起了剪紙愛好者的注意。近年來，在全世界范圍內(nèi)展開的對人類口頭和非物質(zhì)文化遺產(chǎn)的保護和搶救工作，讓更多的人開始關(guān)注我們的剪紙藝術(shù)，我想，對剪紙藝術(shù)語言的研究更能夠加深我們對中國剪紙藝術(shù)的理解。在某種程度上，它能夠幫助我們拓展思維，將剪紙的主題紋樣、符號語言等更好地利用到當(dāng)代生活中。無論是對剪紙本身，還是對它的延伸及發(fā)展都有極大的意義。相信在社會各方面的支持及我們自身的努力下，剪紙藝術(shù)的發(fā)展必將呈現(xiàn)令人欣喜的美好前景。
[Abstract]:Chinese paper-cut is an important part of human intangible cultural heritage and an important part of Chinese culture. It has a history of more than 3,000 years. Wang Shucun wrote in "the History of Chinese Folk Paper-cut Art" that "the study of Chinese painting art, often south of Qi sheihe's six methods as a measure of the high standards of the work." The first bone method of the six methods can also be explained by means of line drawing power, which is related to the art of paper-cut. Paper-cut art, such as stone painting, can not be changed, the place of scissors, immediately formed, it is difficult to add and subtract repair, so the art of paper-cut can be called the re-refining of Chinese painting line drawing techniques, was once marveled by Western modernist painters and draw. Chinese traditional paper-cut art exists as a kind of maternal folk art in China. It is created in order to meet the spiritual life needs of the working people of our country in the farming culture. A folk art applied and handed down. Therefore, folk paper-cut has the characteristics of strong mass, regional obvious, diverse functions and wide spread. Paper-cut seems to be not enough to depict the shape in depth, but pay more attention to its subjective spirit and its essence. Its artistic language is simple and simple, but it is an expression beyond nature. It is not restricted by values and utilitarian thoughts, but it can reflect the most basic spiritual quality and aesthetic concept of human art. However, paper-cut in the history of Chinese art has not occupied its due status, but with its tenacious vitality, has always existed in people's lives, with its most simple image, become a folk heritage of Chinese cultural image. The study of paper-cut in our country lags behind that of other countries. Like Chinese art history, foreigners collect data and organize and publish. With the rapid development of the social economy and the strengthening of the trend of globalization, the paper-cut art of the traditional original ecology is facing the danger of dying out, this phenomenon gradually attracted the attention of the paper-cut enthusiasts. In recent years, the worldwide efforts to protect and rescue the oral and intangible cultural heritage of mankind have led more and more people to pay attention to our paper-cut art, I think. The study of the language of paper-cut art can deepen our understanding of the art of paper-cut in China. To some extent, it can help us expand our thinking and make better use of the theme patterns and symbolic language of paper-cut in contemporary life. It is of great significance both to the paper-cut itself and to its extension and development. It is believed that with the support of all aspects of the society and our own efforts, the development of paper-cut art will present a promising prospect.
【學(xué)位授予單位】：魯東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J528.1
本文編號：2468507
[Abstract]:Chinese paper-cut is an important part of human intangible cultural heritage and an important part of Chinese culture. It has a history of more than 3,000 years. Wang Shucun wrote in "the History of Chinese Folk Paper-cut Art" that "the study of Chinese painting art, often south of Qi sheihe's six methods as a measure of the high standards of the work." The first bone method of the six methods can also be explained by means of line drawing power, which is related to the art of paper-cut. Paper-cut art, such as stone painting, can not be changed, the place of scissors, immediately formed, it is difficult to add and subtract repair, so the art of paper-cut can be called the re-refining of Chinese painting line drawing techniques, was once marveled by Western modernist painters and draw. Chinese traditional paper-cut art exists as a kind of maternal folk art in China. It is created in order to meet the spiritual life needs of the working people of our country in the farming culture. A folk art applied and handed down. Therefore, folk paper-cut has the characteristics of strong mass, regional obvious, diverse functions and wide spread. Paper-cut seems to be not enough to depict the shape in depth, but pay more attention to its subjective spirit and its essence. Its artistic language is simple and simple, but it is an expression beyond nature. It is not restricted by values and utilitarian thoughts, but it can reflect the most basic spiritual quality and aesthetic concept of human art. However, paper-cut in the history of Chinese art has not occupied its due status, but with its tenacious vitality, has always existed in people's lives, with its most simple image, become a folk heritage of Chinese cultural image. The study of paper-cut in our country lags behind that of other countries. Like Chinese art history, foreigners collect data and organize and publish. With the rapid development of the social economy and the strengthening of the trend of globalization, the paper-cut art of the traditional original ecology is facing the danger of dying out, this phenomenon gradually attracted the attention of the paper-cut enthusiasts. In recent years, the worldwide efforts to protect and rescue the oral and intangible cultural heritage of mankind have led more and more people to pay attention to our paper-cut art, I think. The study of the language of paper-cut art can deepen our understanding of the art of paper-cut in China. To some extent, it can help us expand our thinking and make better use of the theme patterns and symbolic language of paper-cut in contemporary life. It is of great significance both to the paper-cut itself and to its extension and development. It is believed that with the support of all aspects of the society and our own efforts, the development of paper-cut art will present a promising prospect.
【學(xué)位授予單位】：魯東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J528.1
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