【摘要】：在人類歷史文明的進(jìn)程中，一切造物活動(dòng)都是為了滿足人們生產(chǎn)、生活需要而展開的。陶瓷作為造物活動(dòng)的一種，從最初為了滿足使用的需求，到為了滿足審美的需求。陶瓷手工花器作為陶瓷眾多門類的一種，，是人類文明進(jìn)程發(fā)展的重要表現(xiàn)之一。 花器是人們生活的附屬品，伴隨著物質(zhì)文明的提高，花器的作用才被突顯出來。人們?cè)诨ㄆ魇止ぶ谱鞯倪^程中，用雙手與泥巴建立感情，并通過手與泥土的觸摸，將個(gè)人的情感融入到器物之中。從中可以體會(huì)到當(dāng)代陶瓷手工花器設(shè)計(jì)的精髓在于手工性。手工性和制陶藝人個(gè)人經(jīng)驗(yàn)之間建立的某種聯(lián)系，是直接指向制陶藝人個(gè)人的體驗(yàn)，正是這種體驗(yàn)影響了當(dāng)代陶瓷手工花器的設(shè)計(jì)。當(dāng)代陶瓷手工花器藝術(shù)可以看作是生活藝術(shù)，生活藝術(shù)可以理解成一種生活的審美化，從而使得審美的力量從藝術(shù)體制內(nèi)部進(jìn)入到日常生活之中，并覆蓋了日常生活的平庸與程式化。 本文著重從設(shè)計(jì)的角度論述當(dāng)代陶瓷手工花器的發(fā)展概況、現(xiàn)狀分析、藝術(shù)特征以及與家居生活的密切關(guān)系，讓人們更加深入了解當(dāng)代陶瓷手工花器的設(shè)計(jì)理念，從而使陶瓷手工花器從生活走向藝術(shù)具有深遠(yuǎn)的社會(huì)意義。
[Abstract]:In the course of human history and civilization, all creation activities are to meet the needs of people's production and life. As one of the activities of creation, ceramics was originally used to satisfy the needs of aesthetics. As one of the kinds of ceramics, ceramic handmade flower ware is one of the important manifestations of the development of human civilization. Flower organ is a subsidiary of people's life, with the improvement of material civilization, the role of flower organ is highlighted. In the process of making flowers by hand, people establish feelings with both hands and mud, and through the touch of hands and clay, the personal feelings are integrated into the objects. From this, we can see that the essence of contemporary ceramic handmade flower design lies in handwork. The relationship between artisanal and ceramic artists' personal experience is directed directly to the ceramic artists' personal experience, which has influenced the design of contemporary ceramic handmade flower ware. The art of contemporary ceramic hand flower can be regarded as the art of life, and the art of life can be understood as a kind of aesthetic life, which makes the strength of aesthetics enter into daily life from the inside of the art system. And covers the daily life of mediocre and stylized. In this paper, the general situation, present situation, artistic characteristics and close relationship with household life of contemporary ceramic handware are discussed from the design point of view, so that people can understand the design concept of contemporary ceramic hand-made flower more deeply. Thus, it has profound social significance to make ceramic handmade flower from life to art.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J527

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本文編號(hào)：2364026