【摘要】：“我自用我法”是清代中國(guó)畫(huà)家石濤繪畫(huà)創(chuàng)作的思想靈魂，，個(gè)性張揚(yáng)和自由精神是藝術(shù)的核心價(jià)值所在，不僅對(duì)現(xiàn)代繪畫(huà)創(chuàng)作有指導(dǎo)意義，而且對(duì)其他材料藝術(shù)的創(chuàng)造和發(fā)展都具有普遍意義�，F(xiàn)代陶藝作為一門(mén)獨(dú)特的藝術(shù)形式，其所強(qiáng)調(diào)的個(gè)性表達(dá)和物我的和諧精神是現(xiàn)代陶藝創(chuàng)作的重要價(jià)值。如何在現(xiàn)代陶藝創(chuàng)作中把個(gè)性張揚(yáng)和自由精神的核心價(jià)值完整地體現(xiàn)出來(lái)是一個(gè)重要的研究課題。 本篇論文主要從闡述“我自用我法”藝術(shù)主張的時(shí)代背景和特征及現(xiàn)代陶藝的概念入手，通過(guò)較系統(tǒng)的分析“我自用我法”在當(dāng)下社會(huì)經(jīng)濟(jì)文化背景下對(duì)現(xiàn)代陶藝創(chuàng)作的重要性，重點(diǎn)探討現(xiàn)代陶藝創(chuàng)作中“我自用我法”思想真切地落實(shí)和體現(xiàn)在工藝、技術(shù)、材料、工具等中的指導(dǎo)意義及蘊(yùn)含的審美價(jià)值，從現(xiàn)代陶藝創(chuàng)作主體的繼承與發(fā)展、創(chuàng)作主體的實(shí)踐方法、創(chuàng)作主體的審美境界三方面對(duì)其展開(kāi)論述。從而總結(jié)出“我法”對(duì)現(xiàn)代陶藝創(chuàng)作不僅具有重要的理論意義，而且為現(xiàn)代陶藝提供了更廣闊的創(chuàng)作空間。
[Abstract]:"I use my own method" is the ideological soul of Shi Tao's painting creation in Qing Dynasty. Personality publicity and free spirit are the core values of art, which is not only of guiding significance to modern painting creation. And the creation and development of other material art are of universal significance. Modern ceramic art as a unique art form, its emphasis on the expression of personality and the spirit of harmony is an important value of modern pottery creation. How to fully embody the core values of individuality and free spirit in modern pottery creation is an important research topic. This thesis begins with the background and characteristics of the art proposition of "I use my own method" and the concept of modern pottery art. Through a more systematic analysis of the importance of "I use my own method" to modern pottery creation under the background of current social economy and culture, the emphasis is put on how to implement and embody the thought of "I use my own method" in modern ceramic art creation in the process, technology and material. The guiding significance and aesthetic value contained in tools are discussed from three aspects: the inheritance and development of the subject of modern pottery creation, the practical method of the subject, and the aesthetic state of the subject. Therefore, it is concluded that "my method" not only has important theoretical significance for modern pottery creation, but also provides a broader creative space for modern pottery art.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：J527

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 李硯祖;現(xiàn)代藝術(shù)的驕子——陶藝隨想錄[J];文藝研究;1990年03期

本文編號(hào)：2234981