云南百濮系民族服飾色彩內(nèi)涵及審美研究
發(fā)布時(shí)間：2018-09-03 16:08
【摘要】：近年來，國(guó)家從大局出發(fā)，大力推行文化產(chǎn)業(yè)建設(shè)，促進(jìn)了少數(shù)民族文化的繁榮與發(fā)展。少數(shù)民族服飾作為少數(shù)民族文化的一部分，以其獨(dú)特造型、絢麗色彩和精美配飾吸引著越來越多的目光。人們?cè)隗@嘆少數(shù)民族服飾絢麗多姿時(shí)，卻忽略了這些華麗服飾背后蘊(yùn)含著的豐富內(nèi)涵。今云南省境內(nèi)的佤族、德昂族和布朗族同屬百濮系民族，論文以這一支系的少數(shù)民族為研究對(duì)象，從服飾色彩角度切入，引導(dǎo)人們從欣賞百濮系民族服飾的外在出發(fā)，逐步認(rèn)識(shí)和了解其服飾的內(nèi)涵，使人們能夠真正領(lǐng)略到百濮系民族服飾獨(dú)特而充滿魅力的象征意義所帶來的心靈震撼。在逐步加深記憶深刻的同時(shí)，做到保護(hù)和發(fā)展少數(shù)民族文化。 基于查閱史料文獻(xiàn)和田野調(diào)查，論文運(yùn)用色彩學(xué)、人類學(xué)、民族學(xué)、宗教學(xué)等理論，通篇采用由淺入深、由表及里的研究思路和方法，主要從五個(gè)方面對(duì)百濮系民族服飾色彩展開較為系統(tǒng)的研究和論述。 首先，百濮系民族服飾文化是百濮系民族文化的重要組成部分，對(duì)百濮系民族服飾概況進(jìn)行系統(tǒng)的概括和總結(jié)，為下文做好鋪墊。其次，運(yùn)用色彩學(xué)的研究方法，以色相和色調(diào)為主，分別對(duì)以上總結(jié)的百濮系民族服飾色彩加以分析，為色彩的內(nèi)涵和審美進(jìn)一步闡述做鋪墊。第三，從記述性、寓意性、象征性等方面，追溯百濮系民族服飾色彩的淵源，，探尋服飾色彩的內(nèi)涵。第四，為提升人們對(duì)于少數(shù)民族服飾色彩更深層次地理解，從審美的角度對(duì)百濮系民族服飾色彩加以分析。結(jié)合服飾色彩的內(nèi)涵，深入分析百濮系民族服飾色彩的審美意蘊(yùn)等。最后，根據(jù)以上研究分析，對(duì)百濮系民族服飾色彩的傳承配合案例進(jìn)行探討，分析其運(yùn)用中的合理性與可行性。 對(duì)百濮系民族服飾色彩內(nèi)涵及審美的研究，不僅可以使少數(shù)民族服飾色彩在藝術(shù)創(chuàng)作中有理可依、有據(jù)所尋，而且可以更好地保護(hù)和傳承少數(shù)民族文化。為我們進(jìn)一步探索西南少數(shù)民族服飾的藝術(shù)價(jià)值和文化傳承提供參考，使少數(shù)民族文化的研究成果更具實(shí)踐意義。
[Abstract]:In recent years, the country, proceeding from the overall situation, vigorously promoted the construction of cultural industry and promoted the prosperity and development of minority culture. As a part of minority culture, ethnic dress attracts more and more attention with its unique shape, gorgeous color and exquisite accessories. People marvel at the colorful costumes of ethnic minorities, but ignore the rich connotations behind them. The WA nationality in Yunnan Province, the Deyong nationality and the Bang nationality both belong to the Baipu ethnic group. This paper takes the ethnic minorities of this branch as the research object, from the angle of dress color, and guides people to start from the external appreciation of the Bai Pu nationality costume. The gradual understanding and understanding of the connotation of its clothing enables people to truly appreciate the spiritual shock brought by the unique and charming symbolic significance of the national costumes of Baipu system. While gradually deepening our memory, we should protect and develop minority cultures. Based on the reference of historical documents and field investigation, the thesis uses the theories of color, anthropology, ethnology, religion and so on, and adopts the research ideas and methods from simple to deep, from surface to inside. Mainly from five aspects of the Bai Pu series ethnic dress color to carry out a more systematic study and discussion. First of all, Baipu ethnic dress culture is an important part of Baipu ethnic culture. The general situation of Baipu ethnic dress is summarized and summarized systematically, which will pave the way for the following. Secondly, by using the research method of color science, mainly hue and hue, the paper analyzes the color of Baipu ethnic dress respectively, which lays the groundwork for the further elaboration of the connotation and aesthetic of color. Third, from the aspects of description, implication and symbolism, trace back the origin of the national dress color of Baipu system, and explore the connotation of the dress color. Fourth, in order to promote people to understand the color of ethnic costumes deeper, from the aesthetic point of view to analyze the color of national costumes in Baipu. Combined with the connotation of costume color, the aesthetic implication of national costume color of Baipu system is deeply analyzed. Finally, according to the above research and analysis, the paper discusses the inheritance and coordination case of the national costume color of Baipu system, and analyzes the rationality and feasibility of its application. The study of the color connotation and aesthetics of the national costume of Baipu system can not only make the color of the ethnic dress reasonable and reliable in the artistic creation, but also better protect and inherit the minority culture. It provides a reference for us to further explore the artistic value and cultural heritage of ethnic costume in Southwest China, and makes the research results of minority culture more practical significance.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J523.5
[Abstract]:In recent years, the country, proceeding from the overall situation, vigorously promoted the construction of cultural industry and promoted the prosperity and development of minority culture. As a part of minority culture, ethnic dress attracts more and more attention with its unique shape, gorgeous color and exquisite accessories. People marvel at the colorful costumes of ethnic minorities, but ignore the rich connotations behind them. The WA nationality in Yunnan Province, the Deyong nationality and the Bang nationality both belong to the Baipu ethnic group. This paper takes the ethnic minorities of this branch as the research object, from the angle of dress color, and guides people to start from the external appreciation of the Bai Pu nationality costume. The gradual understanding and understanding of the connotation of its clothing enables people to truly appreciate the spiritual shock brought by the unique and charming symbolic significance of the national costumes of Baipu system. While gradually deepening our memory, we should protect and develop minority cultures. Based on the reference of historical documents and field investigation, the thesis uses the theories of color, anthropology, ethnology, religion and so on, and adopts the research ideas and methods from simple to deep, from surface to inside. Mainly from five aspects of the Bai Pu series ethnic dress color to carry out a more systematic study and discussion. First of all, Baipu ethnic dress culture is an important part of Baipu ethnic culture. The general situation of Baipu ethnic dress is summarized and summarized systematically, which will pave the way for the following. Secondly, by using the research method of color science, mainly hue and hue, the paper analyzes the color of Baipu ethnic dress respectively, which lays the groundwork for the further elaboration of the connotation and aesthetic of color. Third, from the aspects of description, implication and symbolism, trace back the origin of the national dress color of Baipu system, and explore the connotation of the dress color. Fourth, in order to promote people to understand the color of ethnic costumes deeper, from the aesthetic point of view to analyze the color of national costumes in Baipu. Combined with the connotation of costume color, the aesthetic implication of national costume color of Baipu system is deeply analyzed. Finally, according to the above research and analysis, the paper discusses the inheritance and coordination case of the national costume color of Baipu system, and analyzes the rationality and feasibility of its application. The study of the color connotation and aesthetics of the national costume of Baipu system can not only make the color of the ethnic dress reasonable and reliable in the artistic creation, but also better protect and inherit the minority culture. It provides a reference for us to further explore the artistic value and cultural heritage of ethnic costume in Southwest China, and makes the research results of minority culture more practical significance.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J523.5
【共引文獻(xiàn)】
相關(guān)期刊論文 前10條
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2 劉強(qiáng);;評(píng)中國(guó)傳統(tǒng)藝術(shù)在現(xiàn)代社會(huì)的雙重價(jià)值——審美文化價(jià)值與經(jīng)濟(jì)價(jià)值[J];安徽文學(xué)(下半月);2009年08期
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4 楊德志;王民;;《康
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