【摘要】：我國(guó)是一個(gè)統(tǒng)一的多民族國(guó)家,在廣大的領(lǐng)土上苗族人民創(chuàng)造的民族文化獨(dú)具特色,苗族的工藝藝術(shù)更是紛繁多樣勝為瑰寶。其中苗族刺繡藝術(shù)風(fēng)格獨(dú)特,為人所嘆。苗族刺繡工藝是苗族地區(qū)藝術(shù)發(fā)展的證明,是對(duì)苗族傳統(tǒng)文化的傳承和尊重。 苗族沒(méi)有自己的文字,苗族刺繡便是他們特有的符號(hào)。苗族服飾上的刺繡圖案起到了替代文字的作用,從而使沒(méi)有文字的苗族在刺繡圖案藝術(shù)中形成了自己“無(wú)字的史書(shū)"。中國(guó)的西南部貴州省的黔東南地區(qū)居住著大量的苗族同胞,他們創(chuàng)造了不同樣式、風(fēng)格的服飾,刺繡種類也紛繁復(fù)雜。苗族刺繡做工精細(xì),選擇雖然豐富,但較為固定,有龍、鳥(niǎo)、魚(yú)、銅鼓、花卉、蝴蝶題材,還有反映苗族歷史的畫(huà)面。苗族刺繡十分美麗,技法主要有12類。目前國(guó)內(nèi)關(guān)于刺繡的研究成果有不少,專家和學(xué)者們分別從民族學(xué)、藝術(shù)學(xué)等各學(xué)科的視角做了多方面的研究,但是從著作方面來(lái)看,對(duì)刺繡整體上的描述的編著比較多,但具體研究性的專著仍比較缺乏。有鑒于此,本論文試圖在個(gè)案研究上對(duì)刺繡的圖案進(jìn)行深入地探索。 本論文在田野調(diào)查和相關(guān)文獻(xiàn)的基礎(chǔ)上,通過(guò)對(duì)黔東南西江鎮(zhèn)苗族服飾上幾何圖案、動(dòng)物圖案、植物圖案及其它神話圖案的研究,來(lái)分析其內(nèi)在的象征意義,解讀苗族文化的深刻內(nèi)涵。從對(duì)西江鎮(zhèn)苗族刺繡圖案的分析及其反映的民族神話歷史傳說(shuō)、民族宗教信仰及民族圖騰崇拜等方面來(lái)對(duì)苗族刺繡進(jìn)行綜合的個(gè)案研究。筆者通過(guò)在黔東南西江鎮(zhèn)的實(shí)地調(diào)研,了解西江鎮(zhèn)苗族地區(qū)地域文化特點(diǎn),并對(duì)西江鎮(zhèn)苗族刺繡的起源與發(fā)展有所了解,再研究其背后所承載的民俗文化。重點(diǎn)對(duì)黔東南西江鎮(zhèn)苗族刺繡的圖案藝術(shù)進(jìn)行分析研究,從圖案的來(lái)歷、題材特征、藝術(shù)特色、及象征意義上展開(kāi)論述,從藝術(shù)的角度分析苗族刺繡圖案的特色。本論文主要分為緒言；黔東南西江鎮(zhèn)苗族刺繡藝術(shù)的源流、研究、圖案的審美分析；黔東南西江鎮(zhèn)苗族刺繡藝術(shù)的傳承與保護(hù)五章。論文第一章介紹了本研究的選題緣起、研究意義、研究方法、概念界定與文獻(xiàn)綜述。第二章介紹了黔東南西江鎮(zhèn)苗族地區(qū)的地理歷史環(huán)境及刺繡藝術(shù)的歷史發(fā)展?fàn)顩r等。第三章、第四章對(duì)黔東南西江鎮(zhèn)苗族刺繡的藝術(shù)技法進(jìn)行大致敘述,主要對(duì)刺繡的圖案進(jìn)行了歸類分析,包括刺繡圖案的來(lái)歷、藝術(shù)特色及審美分析,以及對(duì)刺繡圖案的象征內(nèi)涵進(jìn)行了探討。第五章闡述了話江鎮(zhèn)苗族刺繡藝術(shù)的傳承與保護(hù),從刺繡的商品化與市場(chǎng)化現(xiàn)狀、刺繡在國(guó)際市場(chǎng)的地位及刺繡的保護(hù)性開(kāi)發(fā)與傳習(xí)方面進(jìn)行闡釋。同口寸,根據(jù)調(diào)查現(xiàn)狀對(duì)黔東南西江鎮(zhèn)苗族刺繡的保護(hù)和傳承提出了一些想法和思考。 苗族刺繡圖案藝術(shù)是少數(shù)民族工藝美術(shù)的組成部分,其傳承了苗族獨(dú)特的藝術(shù)視角和民族審美觀。苗族刺繡作為一種文化現(xiàn)象,對(duì)深入挖掘整個(gè)苗族的歷史、民俗、宗教、信仰等文化內(nèi)涵有著深遠(yuǎn)的研究?jī)r(jià)值。同時(shí),對(duì)苗族刺繡這種獨(dú)特的民族文化遺產(chǎn)進(jìn)行全方位的保護(hù)和研究具有重要的現(xiàn)實(shí)意義。
[Abstract]:China is a unified multi-ethnic country, and the Miao people create unique national culture in the vast territory, and the Miao arts and crafts are even more numerous and varied as treasures. And respect.
The Miao nationality does not have their own characters, and the Miao nationality embroidery is their unique symbol. The embroidery patterns on the Miao nationality's clothes play a role of substituting characters, so that the Miao nationality without characters has formed their own "history book without words" in the embroidery pattern art. Miao embroidery is very beautiful with 12 kinds of techniques. At present, there are a lot of research results on embroidery in China. Experts and scholars have done a lot of research from the perspective of ethnology, art and other disciplines, but from the perspective of works, the overall description of embroidery is more, but specific monographs are still relatively scarce.
On the basis of field investigation and related literature, this paper analyzes the inherent symbolic significance and the profound connotation of the Miao culture by studying the geometric patterns, animal patterns, plant patterns and other mythological patterns of the Miao dresses in Xijiang Town, southeastern Guizhou Province. This paper makes a comprehensive case study of Miao embroidery in terms of historical legends, religious beliefs and totem worship. Through field investigation in Xijiang Town, southeastern Guizhou Province, the author understands the regional cultural characteristics of Xijiang Town, and the origin and development of Xijiang Town's Miao embroidery, and then studies the folk customs behind it. Culture. This paper focuses on the analysis and study of the Miao embroidery pattern art in Xijiangzhen, southeastern Guizhou. It discusses the origin, theme, artistic characteristics and symbolic significance of the pattern, and analyzes the characteristics of the Miao embroidery pattern from the artistic point of view. The first chapter introduces the origin of this study, research significance, research methods, concept definition and literature review. The second chapter introduces the geographical and historical environment and the historical development of embroidery art in Xijiang Town, southeastern Guizhou. Chapter four gives a general description of the art and techniques of the Miao nationality embroidery in Xijiang Town, southeastern Guizhou Province. It mainly classifies and analyzes the patterns of embroidery, including the origin, artistic features and aesthetic analysis of the patterns, as well as the symbolic connotation of the patterns. Chapter five expounds the inheritance and protection of the Miao nationality embroidery art in Huajiang Town. From the present situation of commercialization and marketization of embroidery, the status of embroidery in the international market and the protective development and inheritance of embroidery are explained.
Miao embroidery pattern art is an integral part of the arts and crafts of ethnic minorities, which inherits the unique artistic perspective and aesthetic values of the Miao nationality. As a cultural phenomenon, Miao embroidery has a profound research value for digging the cultural connotations of the whole Miao nationality, such as history, folk custom, religion, belief and so on. The comprehensive protection and research of national cultural heritage is of great practical significance.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J523.6

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 左華榮;騰沖傳統(tǒng)掇花工藝研究及創(chuàng)意實(shí)踐[D];云南大學(xué);2013年

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本文編號(hào)：2218742