【摘要】：隨著社會的不斷進步，人們對生活品質的要求日益提高，在生活需求上促進了我國瓷器的發(fā)展，并且出現了許多造型獨特的瓷器種類。在瓷器的發(fā)展史中，瓷器種類的發(fā)展和創(chuàng)新，除了一方面要根據當時生產工藝的發(fā)展以外，更大程度上還是要依靠社會政治和經濟，同時皇室家族的帝王生活、興趣愛好和審美要求，也會對瓷器的造型、裝飾以及制作等方面產生影響。 清代的瓷器在燒制技術上已經趨于成熟，其中乾隆時期是中國瓷器燒制達到極盛的時代，這一時期的官窯瓷器以其豐富多彩的品種和技藝精湛的制作而著稱于世。壁瓶的出現成為了這個時代瓷器造型創(chuàng)新的典型代表，同時它也是清代宮廷審美文化中的一個具有時代特征的產物。壁瓶始見于明宣德朝，器型為常見花瓶之半。在明萬歷年間興盛，造型豐富，裝飾品種多樣化，多為青花、五彩和藍釉。到了清代各朝，，壁瓶開始大量生產，出現了許多獨特的造型，無論是在裝飾還是工藝上都已經達到了當時最高水平。本文試圖從皇室家族的審美需要，借助對壁瓶相關資料的收集和整理，通過分析和比較，探究壁瓶裝飾的產生極其內涵是如何被發(fā)展和豐富的。并試圖從宮廷生活中的裝飾造型要求中發(fā)掘時代對陶瓷器型發(fā)展的創(chuàng)新及影響。
[Abstract]:With the continuous progress of the society, people's demands on the quality of life are improving day by day, which promotes the development of china in our country in the aspect of life demand, and many kinds of porcelain with unique shape have appeared. In the history of the development of porcelain, the development and innovation of porcelain types not only depended on the development of production techniques at that time, but also depended to a greater extent on social politics and economy, and on the imperial life of the royal family. Hobbies and aesthetic requirements will also have an impact on the shape, decoration and production of porcelain. The firing technology of porcelain in Qing Dynasty has matured, among which Qianlong period is the period of Chinese porcelain firing to the extremely prosperous, this period official kiln porcelain is famous for its rich and colorful variety and exquisite craftsmanship in the world. The appearance of the wall bottle has become a typical representative of the porcelain modeling innovation in this era, and it is also a product of the Qing Dynasty palace aesthetic culture with the characteristics of the times. The wall bottle was first seen in the Ming Dynasty, Xuande Dynasty, the type of the common vase half. In Ming Wanli prosperous, rich shape, variety of decoration, mostly for blue and white, multicolored and blue glaze. By the Qing Dynasty, the wall bottles began to be produced in large quantities, and many unique shapes appeared, both in decoration and technology, which had reached the highest level at that time. Based on the aesthetic needs of the royal family and the collection and arrangement of the relevant materials of the wall bottle, this paper attempts to explore how the appearance and connotation of the wall bottle decoration is developed and enriched through analysis and comparison. It also tries to explore the innovation and influence of the times on the development of ceramic from the requirements of decorative modeling in court life.
【學位授予單位】：景德鎮(zhèn)陶瓷學院
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J527

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相關期刊論文 前1條

1 劉偉;清宮舊藏藏傳佛教風格瓷器與帝王宗教信仰[J];中國藏學;2004年01期

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