本文選題：設(shè)計觀念 + 日用陶瓷��； 參考：《景德鎮(zhèn)陶瓷學(xué)院》2012年碩士論文

【摘要】：“有心之器”出自劉勰《文心雕龍》之原道：“有心之器，其無文歟？”人之所以是“有心之器”，而不同于自然界的“無識之物”，即在于人是“性靈所鐘”，有人的靈性。而之于日用陶瓷產(chǎn)品，亦不是“無識之物”，它同時還是融入了時代的新技術(shù)、新文化、新藝術(shù)、新觀念的一個信息載體。 隨著現(xiàn)代工業(yè)的發(fā)展，物質(zhì)生產(chǎn)已經(jīng)相當豐富，產(chǎn)品的同質(zhì)化程度日益提高，人們的思想觀念、生活方式、價值取向等正發(fā)生著前所未有的變化，同樣，日用陶瓷產(chǎn)品的設(shè)計觀念也發(fā)生了新的變化。日用陶瓷作為一種產(chǎn)生經(jīng)濟效益的工業(yè)產(chǎn)品，其價值與人們消費的觀念息息相關(guān)。當代人的消費心理己經(jīng)發(fā)生了翻天覆地的變化，人們在進行陶瓷產(chǎn)品消費時，對陶瓷產(chǎn)品的選擇不僅僅是單一的使用價值的選擇，，而是出現(xiàn)個性化、高級化的選擇新趨勢。 設(shè)計觀念，是人類進行設(shè)計活動的指導(dǎo)思想。陶瓷產(chǎn)品設(shè)計是人類創(chuàng)造性的實踐活動，在漫長的歷史進程中，出現(xiàn)了一些影響深遠的設(shè)計觀念，本文梳理、總結(jié)了在現(xiàn)代陶瓷設(shè)計領(lǐng)域里主流設(shè)計觀念的演變，通過對設(shè)計觀念演變的分析，提出日用陶瓷設(shè)計觀念新的變化，以及其對產(chǎn)品的設(shè)計實踐的影響，進一步梳理出日用陶瓷產(chǎn)品設(shè)計的發(fā)展趨勢，為以后的日用陶瓷產(chǎn)品創(chuàng)新性設(shè)計提供有益的參考。
[Abstract]:"the vessel with the heart" comes from the original way of Liu Xie's "Wen Xin Diao long": "if a device has a heart, it has no text?" The reason why man is "the object of mind", but is different from the nature of "the unknown thing", that is, the human is the "spiritual clock", someone's spirituality. But to the daily use ceramic product, also is not "the unknown thing", it also has integrated the time new technology, the new culture, the new art, the new idea information carrier. With the development of modern industry, the material production is already quite abundant, the degree of homogenization of products is increasing day by day, people's ideology, life style, value orientation and so on are undergoing unprecedented changes, similarly, New changes have taken place in the design concept of daily ceramic products. As a kind of industrial product which produces economic benefit, the value of daily ceramic is closely related to people's concept of consumption. The consumption psychology of contemporary people has changed dramatically. When people consume ceramic products, the choice of ceramic products is not only a single choice of use value, but also a new trend of individualized and advanced choice. The concept of design is the guiding ideology of human design activities. Ceramic product design is a creative practical activity of human beings. In the long historical process, some far-reaching design concepts have emerged. This paper summarizes the evolution of mainstream design concepts in the field of modern ceramic design. Based on the analysis of the evolution of the design concept, the paper puts forward the new changes of the daily ceramic design concept and its influence on the design practice of the products, and further combs out the development trend of the daily ceramic product design. It provides a useful reference for the innovative design of daily ceramic products in the future.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J527

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