本文選題：無(wú)錫紙馬藝術(shù)　切入點(diǎn)：藝術(shù)特征　出處：《江南大學(xué)》2012年碩士論文

【摘要】：無(wú)錫紙馬產(chǎn)生于吳文化體系下的太湖流域,是特定地域、文化和技術(shù)等多因素綜合影響的產(chǎn)物,是雕版印刷的宗教祭祀用品,屬于木板年畫(huà)大類。無(wú)錫紙馬是人們?cè)凇叭f(wàn)物有靈”的思想指導(dǎo)下,人們根據(jù)自己的想象加以創(chuàng)造所形成的他們心目中的崇拜對(duì)象,是農(nóng)耕社會(huì)中民間習(xí)俗的載體之一。 本文主要針對(duì)無(wú)錫紙馬藝術(shù)在新時(shí)代下的保護(hù)、傳承與創(chuàng)新展開(kāi)論述。首先,圍繞無(wú)錫紙馬的相關(guān)概念做論述,其中對(duì)無(wú)錫紙馬的概念、歷史淵源以及其發(fā)展基礎(chǔ)做了分析梳理,同時(shí)對(duì)無(wú)錫紙馬同民間木版畫(huà)、年畫(huà)之間的關(guān)系做了對(duì)比分析,使三者之間的關(guān)系更加清晰。在此基礎(chǔ)之上,從民俗學(xué)、宗教學(xué)、藝術(shù)人類學(xué)等角度出發(fā),對(duì)無(wú)錫紙馬藝術(shù)的造型來(lái)源、題材分類以及制作材料和工藝特色展開(kāi)詳細(xì)論述,分析理清了無(wú)錫紙馬藝術(shù)的獨(dú)特之處。再次,從構(gòu)圖、線描、造型和色彩四個(gè)方面來(lái)解讀無(wú)錫紙馬的藝術(shù)特征,整理出了無(wú)錫紙馬的民俗內(nèi)涵和藝術(shù)特征,同時(shí)又將無(wú)錫紙馬同江陰紙馬、內(nèi)丘紙馬和云南紙馬做了橫向比較,通過(guò)對(duì)比更加明確了無(wú)錫紙馬的藝術(shù)特征和工藝特性等。最后,通過(guò)對(duì)無(wú)錫紙馬現(xiàn)狀的分析研究,提出了無(wú)錫紙馬藝術(shù)在保護(hù)和傳承上所存在的問(wèn)題和解決方法,明確了以設(shè)計(jì)創(chuàng)新作為重要手段來(lái)傳承和保護(hù)無(wú)錫紙馬藝術(shù)的設(shè)想。
[Abstract]:Wuxi paper-horse originated in the Taihu Basin under the Wu culture system. It is the product of various factors, such as specific region, culture and technology, and is a religious sacrificial article printed by engraving plate. Wuxi paper horse is the object of worship formed by people according to their own imagination under the guidance of "everything is alive", and is one of the carriers of folk customs in farming society. This paper mainly discusses the protection, inheritance and innovation of paper horse art in Wuxi in the new era. Firstly, it discusses the related concepts of paper horse in Wuxi, including the concept of paper horse in Wuxi. The historical origin and its development foundation are analyzed and combed. At the same time, the relationship between Wuxi paper-horse and folk wood prints and New year's paintings is compared and analyzed, which makes the relationship between the three more clear. On this basis, from folklore, religious education, From the point of view of art anthropology, this paper discusses in detail the source of modeling, classification of subject matter, production materials and technological characteristics of paper horse art in Wuxi, and analyzes and clarifies the unique features of paper horse art in Wuxi. Thirdly, from composition, line drawing, This paper interprets the artistic features of Wuxi paper-horses from four aspects: shape and color, and collates the folk and artistic connotations of Wuxi paper-horses. At the same time, it makes a horizontal comparison between Wuxi paper-horses and Jiangyin paper-horses, Neiqiu paper horses and Yunnan paper-horses. Finally, through the analysis and research on the present situation of paper horses in Wuxi, the problems and solutions in the protection and inheritance of paper horses in Wuxi are put forward. Design innovation as an important means to inherit and protect the art of Wuxi paper horse.
【學(xué)位授予單位】：江南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J528

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本文編號(hào)：1657148