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  本文選題：共用形　切入點：陶瓷器皿　出處：《江南大學》2012年碩士論文　論文類型：學位論文

【摘要】：從上世紀末開始,各行各業(yè)都掀起了劃時代的變革風潮,在這種風潮的引領下,人們無論從思維方式、價值觀還是消費觀等都發(fā)生了不小的改變,傳統(tǒng)陶瓷藝術向現(xiàn)代轉型成為了人們關注話題,“超越功能”和對陶瓷藝術創(chuàng)作中的審美性、精神性的自覺追求,賦予了陶瓷藝術更多的精神人文價值。 陶瓷器皿作為陶瓷藝術中重要的組成部分,同時又和人們的日常生活息息相關,它不光具有滿足人們生活需要的實用功能,還具有美化人們居住環(huán)境、提升生活品味、增添娛樂情趣等多方面的文化功能。在“感性消費”已成為新世紀最為明顯和最富前景的消費特征的大背景下,企業(yè)單純依靠商品和服務的功能特點,已很難滿足消費者的需要。從消費者心理層面來分析,消費者購買商品的行為是為了滿足情感上的渴求,是為了追求特定的商品與理想中的自我概念的吻合,而這種需求使得人們對“物”的價值評斷標準趨于多樣化與復雜化,人們對一成不變的“冷漠”的東西已經(jīng)變得淡漠,而對于“新”、“奇”、“怪”的具有更多的情感體驗性的產(chǎn)品具有更多的癖好,同樣在陶瓷器皿設計中更是如此,由于它與人們的日常生活息息相關,與人的“交流”和“互動”更加頻繁,因此在設計的過程中更應注重物品本身所營造出的體驗空間。 由此本課題引入了“共用形”這一圖形概念,將從中提煉出的共生圖形原理應用于陶瓷器皿的設計之中,旨在將共用形中所蘊含的藝術哲理與創(chuàng)造性形式及思維融入陶瓷器皿的設計過程之中,從而增加陶瓷器皿的藝術魅力與形態(tài)表現(xiàn)力。由于共用形本身是一種具有多種視覺藝術魅力的圖形,同時它作為一種二維創(chuàng)意圖形,兼具三維形態(tài)的內(nèi)在特質,因此將其作為一種形式語言應用于陶瓷器皿的造型設計中,可以極大的拓展陶瓷器皿造型設計方法與思路。 本課題通過研究共用形的表現(xiàn)形式及其外在和內(nèi)在特征,總結出其思維規(guī)律與形態(tài)元素的創(chuàng)作方法,將其與陶瓷器皿的造型元素相互比對、融合,最終以賦予陶瓷器皿形態(tài)一種新穎的設計形式為目標,來滿足人們對產(chǎn)品的情感化需求。
[Abstract]:Since the end of 0th century, there has been an epoch-making wave of change in various industries. Under the guidance of this trend, people have changed no matter how they think, their values or their consumption views. The transformation from traditional ceramic art to modern art has become a topic of concern. "beyond function" and the conscious pursuit of aesthetics and spirituality in ceramic art creation have given more spiritual and humanistic value to ceramic art. As an important part of ceramic art, ceramic ware is closely related to people's daily life. It not only has the practical function of meeting the needs of people's life, but also beautifies people's living environment and promotes their living taste. Under the background that "perceptual consumption" has become the most obvious and promising feature of consumption in the new century, enterprises rely solely on the functional characteristics of goods and services. It is very difficult to meet the needs of consumers. From the consumer's psychological level, the behavior of consumers buying goods is to satisfy their emotional thirst, to pursue the coincidence of specific goods with the ideal self-concept. This demand has led to the diversification and complexity of the criteria for judging the value of "things", and people have become indifferent to the immutable "apathy". And for "new", "odd", "strange" with more emotional experience of the products have more hobbies, as well as in the design of ceramic utensils, because it is closely related to people's daily life, The communication and interaction with people are more frequent, so we should pay more attention to the experience space created by the objects themselves in the process of design. In this paper, the concept of "common shape" is introduced, and the principle of symbiotic figure extracted from it is applied to the design of ceramic utensils. The purpose is to integrate the artistic philosophy and creative form and thinking contained in the common form into the design process of ceramic ware. So as to increase the artistic charm and the expressive power of the ceramic ware. Because the common form itself is a kind of figure with various visual artistic charm, at the same time, as a two-dimensional creative figure, it also has the inherent characteristics of the three-dimensional form. Therefore, applying it to the modeling design of ceramic utensils as a formal language can greatly expand the methods and ideas of ceramic vessel modeling design. Through the study of the form of common form and its external and internal characteristics, the paper summarizes the thinking law and the creative method of the morphological elements, and compares them with the modeling elements of ceramic utensils. Finally, the goal is to endow the shape of ceramic vessels with a novel design form to meet the emotional needs of the products.
【學位授予單位】：江南大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J527

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本文編號：1600259