本文關(guān)鍵詞： 禮 陶瓷禮器 陶瓷禮品 造物思想 天人合一 中式設(shè)計(jì)　出處：《景德鎮(zhèn)陶瓷學(xué)院》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：陶瓷作為一種造物材料一直貫穿著古今，，集政治的產(chǎn)物、經(jīng)濟(jì)的產(chǎn)物、文化的產(chǎn)物于一身，在社會(huì)進(jìn)程中承擔(dān)著重要的角色，被譽(yù)為“中國(guó)的第五大發(fā)明”，而陶瓷禮器凝聚了中國(guó)陶瓷技藝與造物思想的精華。 現(xiàn)今陶瓷行業(yè)的急功近利，導(dǎo)致中國(guó)陶瓷以模仿、低價(jià)格、低質(zhì)量的形象呈現(xiàn)在世人面前。陶瓷設(shè)計(jì)的目的不是滿足人的切身需求，更多的是制造高檔的“假象”以博取更多利潤(rùn)。 本論文欲跳出現(xiàn)今的陶瓷設(shè)計(jì)環(huán)境，追溯陶瓷的本源，借古鑒今。通過對(duì)陶瓷禮器的歷史演變中造型、裝飾、審美以及文化體制等方面的分析，提煉出中國(guó)古代與“時(shí)”俱進(jìn)、與“法”相依、與“宜”相適、與“稱”相應(yīng)的造物法則。通過比較古今之禮異同、古陶瓷禮器與今陶瓷禮品造物目的異同，更好的把古代的“重情”、“重道”、“守禮”的人文價(jià)值觀念；“崇尚自然”、“天人合一”的自然觀念；“以人為本”、“重人性”、“物為我用”的傳統(tǒng)哲學(xué)觀念借鑒到現(xiàn)今的陶瓷禮品設(shè)計(jì)中，使陶瓷禮品設(shè)計(jì)不再拘泥于表面，而是中國(guó)傳統(tǒng)文化的內(nèi)涵的延續(xù)、能激發(fā)人與人之間真摯情感，試圖找到一條合“禮”的陶瓷設(shè)計(jì)的方法，從而打擊市場(chǎng)上面的粗制濫造的現(xiàn)象，以小見大，達(dá)到規(guī)范設(shè)計(jì)市場(chǎng)的作用，讓現(xiàn)今的陶瓷禮品設(shè)計(jì)有據(jù)可依，有章可循。找到一條中式造物的思路，從而樹立一個(gè)強(qiáng)大的中國(guó)陶瓷品牌形象。
[Abstract]:As a kind of material of creation, ceramics has been running through the ancient and modern times. It is the product of politics, the product of economy and the product of culture. It plays an important role in the social process. It is known as the "5th great invention of China", and ceramic ritual condense the essence of Chinese ceramic art and creational thought. Nowadays, the rapid achievement and instant profit in the ceramic industry has led to the image of Chinese ceramics in imitation, low price and low quality. The purpose of ceramic design is not to meet the immediate needs of people. More is to create high-grade "false" in order to earn more profits. This paper tries to jump out of the present ceramic design environment, trace back the origin of ceramics, and learn from the ancient times. Through the analysis of the shape, decoration, aesthetic and cultural system in the historical evolution of ceramic ritual ware, The author abstracts out the corresponding creation principles of ancient China and "time", depending on "Dharma" and "appropriate". By comparing the similarities and differences between ancient and modern rites, the similarities and differences between ancient ceramics and present ceramic gifts are compared. The traditional philosophical concepts of "attaching importance to emotion", "refocusing on Tao" and "keeping rites" in ancient times; "advocating nature" and "harmony of nature and man"; "putting people first", "valuing humanity" and "using things for me" have been used for reference in the design of ceramic gifts. So that ceramic gift design is no longer bound to the surface, but the continuation of the connotation of Chinese traditional culture, can stimulate sincere feelings between people, trying to find a "ritual" ceramic design method, So as to crack down on the shoddy phenomenon above the market, see the whole through a small part, achieve the function of standardizing the design market, so that today's ceramic gift design has evidence to follow and rules to follow. Find a train of thought for Chinese creations. In order to establish a strong Chinese ceramic brand image.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J527

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