明清古典園林建筑符號在風景區(qū)建筑的應用研究
發(fā)布時間：2018-08-30 14:50
【摘要】：隨著我國經(jīng)濟的飛速增長,國人的收入也顯著提升,人均可支配收入也跟著大幅度提升,更多的人們把到風景區(qū)休閑娛樂作為首選休閑活動,于此同時,隨著我國改革開放的深入,越來越多的外國游客來到中國,一定程度上也促使了我國風景區(qū)的發(fā)展,但在國際化的大背景下,我國風景區(qū)建筑也變得失去了特色。然而源遠流長的中華文明,孕育出豐富燦爛的中國古典園林建筑文化。明清古典園林建筑作為中國悠久歷史文化傳統(tǒng)的一部分,充分體現(xiàn)了中華民族的智慧和技巧,反映了中國人對自然的認識與思考,形成了一套完整的理解欣賞方式和創(chuàng)造構(gòu)筑程式。它用獨特的視角、手段去審視、呈現(xiàn)不斷變化、無比豐富的大千世界。如何將其運用到風景區(qū)建筑設計中去,使其得到創(chuàng)新和發(fā)展正是本文目的所在。本文結(jié)合明清古典園林建筑的特點,運用建筑符號的相關理論,從符構(gòu)學層面對古典園林建筑符號的組構(gòu)方式進行研究,從符義學層面對古典園林建筑符號的深層意義進行闡述,從而挖掘其中特有的民族性格和傳統(tǒng)精髓。再從符用學層面,以古典園林建筑符號在現(xiàn)代建筑中應用與發(fā)展的角度,對明清古典園林建筑符號進行更新與轉(zhuǎn)譯,同時通過對現(xiàn)今風景區(qū)建筑的發(fā)展趨勢和功能需求,提出在創(chuàng)作風景區(qū)建筑時應遵循的原則,并論述在符構(gòu)學、符義學、符用學這三個不同的層面上的明清古典園林建筑符號應用方法,提出綜合考慮,從多層面對風景區(qū)建筑思考如何創(chuàng)作設計。本論文最后結(jié)合作者在遼寧本溪桓仁滿族自治縣如意島度假村風景區(qū)實踐中的設計方案,對論文中所提出的觀點進行驗證�？傊�,本論文通過對明清古典園林建筑的特征的分析,探求風景區(qū)建筑在這個快速發(fā)展的時代下的創(chuàng)新和發(fā)展,使風景區(qū)建筑在研究創(chuàng)新方面上更具特色。
[Abstract]:With the rapid economic growth of our country, the income of the Chinese people has also increased significantly, and the per capita disposable income has also increased by a large margin. At the same time, more people regard leisure and entertainment in scenic spots as their first choice of leisure activities, and at the same time, With the deepening of China's reform and opening up, more and more foreign tourists have come to China, to a certain extent, has also promoted the development of scenic spots in China, but in the context of internationalization, the building of scenic spots in our country has also become lost its characteristics. However, the ancient Chinese civilization gave birth to rich and splendid Chinese classical garden architecture culture. The classical garden architecture of the Ming and Qing dynasties, as a part of China's long historical and cultural tradition, fully embodies the wisdom and skills of the Chinese nation, and reflects the Chinese people's understanding and thinking of nature. Has formed a complete understanding appreciation way and the creation construction program. It uses a unique perspective, means to examine, showing a constantly changing, extremely rich world. How to apply it to the architectural design of scenic area, so that it can be innovated and developed is the purpose of this paper. Based on the characteristics of classical garden architecture in Ming and Qing dynasties, this paper, using the theory of architectural symbols, studies the fabric of architectural symbols in classical gardens from the aspect of charismatic structure. This paper expounds the deep meaning of the symbol of classical garden architecture from the aspect of semiotics, and excavates its unique national character and traditional essence. From the aspect of semiotics, from the perspective of the application and development of the symbol of classical garden architecture in modern architecture, this paper updates and translates the symbol of classical garden architecture in Ming and Qing dynasties, and at the same time, through the development trend and function demand of the present scenic spot architecture. This paper puts forward the principles that should be followed in the creation of scenic spot architecture, and discusses the application methods of the symbol of classical garden architecture in Ming and Qing dynasties on three different levels, namely, symbol construction, semiotics and semiotics, and puts forward the comprehensive consideration. Thinking about how to create and design the scenic area architecture from many aspects. In the last part of this paper, the author verifies the viewpoint put forward by the author in the practice of Ruidao Resort Scenic spot in Huanren Manchu Autonomous County, Benxi, Liaoning Province. In a word, through the analysis of the characteristics of classical garden architecture in Ming and Qing dynasties, this paper explores the innovation and development of scenic area architecture in this rapidly developing era, and makes the landscape architecture more distinctive in research and innovation.
【學位授予單位】：沈陽建筑大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：TU986.4;TU247
[Abstract]:With the rapid economic growth of our country, the income of the Chinese people has also increased significantly, and the per capita disposable income has also increased by a large margin. At the same time, more people regard leisure and entertainment in scenic spots as their first choice of leisure activities, and at the same time, With the deepening of China's reform and opening up, more and more foreign tourists have come to China, to a certain extent, has also promoted the development of scenic spots in China, but in the context of internationalization, the building of scenic spots in our country has also become lost its characteristics. However, the ancient Chinese civilization gave birth to rich and splendid Chinese classical garden architecture culture. The classical garden architecture of the Ming and Qing dynasties, as a part of China's long historical and cultural tradition, fully embodies the wisdom and skills of the Chinese nation, and reflects the Chinese people's understanding and thinking of nature. Has formed a complete understanding appreciation way and the creation construction program. It uses a unique perspective, means to examine, showing a constantly changing, extremely rich world. How to apply it to the architectural design of scenic area, so that it can be innovated and developed is the purpose of this paper. Based on the characteristics of classical garden architecture in Ming and Qing dynasties, this paper, using the theory of architectural symbols, studies the fabric of architectural symbols in classical gardens from the aspect of charismatic structure. This paper expounds the deep meaning of the symbol of classical garden architecture from the aspect of semiotics, and excavates its unique national character and traditional essence. From the aspect of semiotics, from the perspective of the application and development of the symbol of classical garden architecture in modern architecture, this paper updates and translates the symbol of classical garden architecture in Ming and Qing dynasties, and at the same time, through the development trend and function demand of the present scenic spot architecture. This paper puts forward the principles that should be followed in the creation of scenic spot architecture, and discusses the application methods of the symbol of classical garden architecture in Ming and Qing dynasties on three different levels, namely, symbol construction, semiotics and semiotics, and puts forward the comprehensive consideration. Thinking about how to create and design the scenic area architecture from many aspects. In the last part of this paper, the author verifies the viewpoint put forward by the author in the practice of Ruidao Resort Scenic spot in Huanren Manchu Autonomous County, Benxi, Liaoning Province. In a word, through the analysis of the characteristics of classical garden architecture in Ming and Qing dynasties, this paper explores the innovation and development of scenic area architecture in this rapidly developing era, and makes the landscape architecture more distinctive in research and innovation.
【學位授予單位】：沈陽建筑大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：TU986.4;TU247
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