蒙太奇于歷史環(huán)境新建筑設計的應用研究
發(fā)布時間:2018-03-30 03:45
本文選題:蒙太奇 切入點:歷史環(huán)境 出處:《大連理工大學》2015年碩士論文
【摘要】:“蒙太奇”源自于電影畫面的剪輯方式,它能夠靈活的表達不同畫面的組合關系,使組合在一起的不同畫面能夠在觀看、感知影片的觀眾的大腦中產(chǎn)生單獨一個畫面所不能表達的含義。建筑空間各元素的組成方式與電影畫面的組合關系有其相似性。那么“蒙太奇”的剪輯手法是否可以作用于建筑當中呢?作者的回答是肯定的。本文研究歷史環(huán)境新建筑設計中的“蒙太奇”,目的是通過研究“蒙太奇”的剪輯手法,并對這些手法的本質(zhì)特征進行還原,轉(zhuǎn)譯為新舊建筑空間的設計手法,使之作用于不同系統(tǒng)、不同時空的建筑空間,從而營造出具有感官刺激的新建筑空間。本文首先通過對電影基本特性進行分析,認識到電影拍攝的思維模式與建筑設計創(chuàng)作模式具有相似性。結(jié)合相關理論研究,探討“蒙太奇”思維與建筑空間設計的相關性,通過對“蒙太奇”思維進行還原性思考,論證其普遍適用性,以及運用于新舊建筑空間設計的可行性。通過了解電影中“蒙太奇”的基本分類方式,還原各個“蒙太奇”手法的本質(zhì)特質(zhì),并對其進行轉(zhuǎn)譯,結(jié)合建筑設計思維模式,對作用于新舊建筑空間的蒙太奇手法進行再定義,并通過大量實例舉例分析,研究“蒙太奇”思維在古今中外新舊建筑空間設計中的具體表現(xiàn)方式。然后進入到本文的重點章節(jié),從“蒙太奇”運用于歷史環(huán)境新建筑設計的可行性開始研究,通過對國內(nèi)外幾個典型案例進行“蒙太奇”式的閱讀,分析“蒙太奇”運用于歷史環(huán)境新建筑設計的具體表現(xiàn)方式,論證運用“蒙太奇”思維可以對此類建筑設計起到某些積極作用。最后總結(jié)“蒙太奇”于歷史環(huán)境新建筑設計的應用方式。先從空間序列、空間界面、空間尺度三方面分析“蒙太奇”對新舊空間整體建構的影響,然后從形體、色彩、主題、功能、表皮和空間體驗六個方面入手,分析“蒙太奇”對歷史環(huán)境新建筑空間片段的作用方式,最后總結(jié)“蒙太奇”于建筑時空超鏈接的表現(xiàn)方式。本文通過對“蒙太奇”作用于歷史環(huán)境新建筑空間的剪輯方法和作用特征的分析,表明“蒙太奇”的應用能夠?qū)ι硖幋祟惪臻g的“人”帶來預期的或意想不到的視覺及心理刺激,繼而塑造具有“蒙太奇”特征的戲劇化的體驗空間。作者希望這種基于“蒙太奇”的體驗空間的生成,能夠成為一種可操作模式,不僅為歷史環(huán)境新建筑空間的設計提供借鑒,同時也是對城市區(qū)域更新方法的一次探索。
[Abstract]:"montage" originates from the editing method of film picture, it can express the combination relation of different picture flexibly, make the different picture that combine together to be able to watch. There is a similarity between the composition of the elements of the building space and the composition of the film picture. Is the editing technique of "montage"? Can work in the building? The author's answer is yes. The purpose of this paper is to study the montage in the new architectural design of historical environment, and to restore the essential characteristics of these techniques by studying the editing techniques of montage. The design method of the new and old architectural space is translated into different systems and different space-time architectural spaces, thus creating a new architectural space with sensory stimulation. Firstly, this paper analyzes the basic characteristics of the film. Recognizing the similarity between the mode of thinking in film shooting and the mode of architectural design. Combining with the research of relevant theories, this paper probes into the correlation between the thinking of "montage" and the design of architectural space, and through the thinking of "montage", carries on the reductive consideration to the thinking of "montage", Through understanding the basic classification of montage in the film, we can restore the essential characteristics of each montage technique and translate it. Combined with the thinking mode of architectural design, this paper redefines the montage technique acting on the space of new and old buildings, and analyzes it by a large number of examples. This paper studies the concrete expression mode of "montage" thinking in the space design of old and new buildings in ancient, modern and modern countries. Then it enters the key chapter of this paper, and begins to study the feasibility of "montage" applied to the new architectural design of historical environment. Based on the montage reading of several typical cases at home and abroad, this paper analyzes the concrete expression mode of montage applied to the new architectural design of historical environment. It is demonstrated that the use of "montage" thinking can play a positive role in this kind of architectural design. Finally, the application of "montage" in the new architectural design of historical environment is summarized. This paper analyzes the influence of montage on the whole construction of new and old space from three aspects: form, color, theme, function, skin and space experience. This paper analyzes the mode of action of montage to the new architectural space fragment of historical environment, Finally, it summarizes the expression of "montage" in architectural space-time hyperlink. This paper analyzes the editing method and function characteristics of "montage" acting on the new architectural space of historical environment. It shows that the application of montage can bring anticipatory or unexpected visual and psychological stimulation to "people" in this kind of space. The author hopes that this kind of experience space based on "montage" will become an operable mode, which can not only provide reference for the design of new architectural space of historical environment, but also create a dramatic experience space with the characteristics of "montage", the author hopes that this kind of experience space based on "montage" will become an operational model. At the same time, it is an exploration of urban area renewal method.
【學位授予單位】:大連理工大學
【學位級別】:碩士
【學位授予年份】:2015
【分類號】:TU201;TU-85
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