本文關(guān)鍵詞：鄂西土家民居裝飾符號在現(xiàn)代建筑設(shè)計中的應用研究　出處：《武漢理工大學》2015年碩士論文　論文類型：學位論文

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【摘要】：在現(xiàn)代建筑設(shè)計中,如何在傳承和發(fā)揚傳統(tǒng)理念的基礎(chǔ)上,展現(xiàn)設(shè)計的新穎和特別,并謀求發(fā)展與創(chuàng)新,是目前眾多建筑設(shè)計師在思考和探究的課題。土家民居裝飾符號能突出空間藝術(shù)氣息和文化內(nèi)涵,然而人們在研究現(xiàn)代建筑時,卻往往容易忽視它的關(guān)鍵作用,其基本特征在現(xiàn)代建筑設(shè)計相對來說也比較難以靈活運用和掌控。如今的世界已經(jīng)是一個全球化的整體,在眾多文化當中傳承和發(fā)揚本國民族文化精神是一個新的挑戰(zhàn)。本文通過對土家民居裝飾符號的分析,并結(jié)合實例對土家民居裝飾符號應用于現(xiàn)代建筑設(shè)計進行了一些探索。何能將鄂西土家民居中長期積累的裝飾符號整合并與現(xiàn)代建筑設(shè)計相結(jié)合運用,是本文寫作的關(guān)鍵和意義。鄂西土家民居有著獨特的文化傳統(tǒng),鮮明的地域特色和悠久的歷史背景。在與自然環(huán)境的相處相融中,土家居民經(jīng)過世代的建筑實踐活動,創(chuàng)造出極具當?shù)孛褡逄厣难b飾符號和建筑體系。本文通過對鄂西土家民居裝飾中具代表性的屋脊頂飾和吊腳樓的傘把柱做了深入的研究分析,并加以提煉、改造和創(chuàng)新將其運用到現(xiàn)代建筑設(shè)計中,讓這種具有傳承地域文化的裝飾符號,營造出更具吸引力的建筑空間。鄂西土家民居裝飾符號以其獨特的形式、功能及文化內(nèi)涵構(gòu)成了自己的存在特色和價值。鄂西土家民居資源相對來說還是比較多的,到目前為止仍遺存下了一部分較完整的土家民居建筑群,他們有著共同的文化背景和情結(jié),但隨著社會的進步與發(fā)展,大眾的審美標準也隨之發(fā)生著變化。因此在研究的過程中,進一步對鄂西土家民居裝飾符號的類型特征、裝飾手法、美學價值的做了整理與分析,以期建造出不僅具有傳統(tǒng)文化又飽含時代風貌的作品,在根據(jù)現(xiàn)實需求將其應用到現(xiàn)代建筑設(shè)計中,能夠符合大眾在新時期的審美標注,讓土家民居文化等到進一步的繼承和發(fā)展。結(jié)合本文作者親身在恩施土家民居建筑的實地考察和調(diào)研,以及參與的有關(guān)實際項目研究的經(jīng)驗,發(fā)現(xiàn)傳統(tǒng)民居裝飾符號中仍存在著些許問題。因而,本文力圖吸收鄂西土家民居裝飾符號中的優(yōu)秀基因,立足現(xiàn)代建筑設(shè)計的客觀需求,以探究應用為主線,讓土家民居裝飾文化與現(xiàn)代建筑設(shè)計相互融合和吸取,讓鄂西土家民居裝飾符號在歷史進程中不被淡忘且延續(xù)再生,賦予新時代的精神風貌與現(xiàn)實意義。
[Abstract]:In the modern architectural design, how to inherit and carry forward the traditional concept, show the design novel and special, and seek development and innovation. At present, many architectural designers are thinking and exploring the subject. The decorative symbols of Tujia residence can highlight the atmosphere of space art and cultural connotation. However, when people study modern architecture, it is easy to ignore its key role. Its basic characteristics in modern architectural design is relatively difficult to use and control flexibly. Today's world has been a global whole. It is a new challenge to inherit and carry forward the spirit of national culture in many cultures. And combined with an example of Tujia residential decorative symbols applied to modern architectural design, how to integrate the long-accumulated decorative symbols of Tujia houses in western Hubei and use them in combination with modern architectural design. Tujia folk houses in western Hubei have unique cultural tradition, distinct regional characteristics and long historical background. They are in harmony with the natural environment. Tujia residents through generations of architectural practice. This paper makes a deep research and analysis on the representative roof decoration of the Tujia residence in western Hubei Province and the umbrella handle of the hanging foot floor and refines it. Transformation and innovation will be applied to modern architectural design, so that this decorative symbol with the heritage of regional culture, to create a more attractive architectural space. Western Hubei Tujia residential decoration symbols with its unique form. Function and cultural connotation constitute their own characteristics and value of existence. Western Hubei Tujia residential resources are relatively more, up to now, there are still some intact Tujia residential buildings. They have a common cultural background and complex, but with the progress and development of society, the aesthetic standards of the masses have also changed. Therefore, in the process of research. Further to the western Hubei Tujia residential decoration symbols of the type characteristics, decoration techniques, aesthetic value of the arrangement and analysis, in order to build not only the traditional culture but also full of the style of the times. In accordance with the actual needs of its application to modern architectural design, can meet the public in the new era of aesthetic tagging. Let the Tujia residential culture to further inheritance and development. Combined with the author personally in Enshi Tujia residential building field investigation and research, as well as participate in the actual project research experience. It is found that there are still some problems in the decoration symbols of traditional houses. Therefore, this paper tries to absorb the excellent genes in the decoration symbols of Tujia houses in western Hubei, based on the objective needs of modern architectural design, and takes the exploration and application as the main line. Let the decoration culture of Tujia residence and modern architectural design be integrated and absorbed, and let the decoration symbol of Tujia residence in western Hubei not be forgotten and regenerated in the historical process, and endow with the spiritual features and realistic significance of the new era.
【學位授予單位】：武漢理工大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：TU253

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