本文關鍵詞：唐宋繪畫中的建筑表象及其源流研究　出處：《西安建筑科技大學》2015年碩士論文　論文類型：學位論文

  更多相關文章： 建筑表象 源流 資料性 解讀方法 啟示

【摘要】：繪畫是人類的一項創(chuàng)舉,是表達愿望的手段,是給人們留下了解或記錄了當時人們的生活、生產(chǎn)以及審美信息的寶貴資料。不同時期繪畫中的建筑表象直接或間接的體現(xiàn)了當時人們的物居狀況和精神追求等方面的信息,為我們研究當時人們的建筑狀況提供了史料。鑒于唐宋時期遺留建筑史料的不完整與針對性的欠缺,文章選擇了收錄較為全面的唐宋繪畫作為研究的重要資源,通過對其畫面建筑表象及其源流的研究,揭示其深刻內(nèi)涵,在補充建筑史料空白的同時,也為城市與社會相關學科的研究提供一個全新的視角。研究以建筑圖像為內(nèi)容的唐宋時期繪畫作品,探索其歷史價值與現(xiàn)實價值是本文的出發(fā)點。首先通過研究繪畫中建筑的布局、類型、結(jié)構、環(huán)境以及畫者本身所處的社會背景、地位等元素來驗證其真實性,目的是通過分析證實其作為建筑資料的可靠性。其次,對這些畫作中具有理想主義色彩的建筑圖像進行研究,解讀當時畫者對于理想中城市、建筑或者建筑環(huán)境的前瞻性思考。最后,通過科學的方法來解讀畫作中的建筑圖像,對唐宋時期繪畫中的建筑類型進行歸類總結(jié),運用模型制作、虛擬復原、色彩提煉等手段來還原當時建筑以及空間場景,以此為現(xiàn)代唐宋遺留建筑的保護與維護提供充足的依據(jù)與指導。文章通過對唐宋繪畫建筑表象的研究,很好的補充了當代建筑史料的部分空白,開拓了社會與城市問題研究的新視角,梳理并完善當代唐宋既有建筑保護與再利用體系,為當代仿古建筑與相關建筑虛擬營造提供了更為充分的資料庫。
[Abstract]:Painting is a creation of human beings, is a means of expressing wishes, is to leave people to understand or record the lives of people at that time. Production and aesthetic information of valuable materials. The architectural representation of different periods of painting directly or indirectly reflects the living conditions and spiritual pursuit of people at that time and other aspects of the information. In view of the incomplete and targeted lack of architectural historical materials left over from the Tang and Song dynasties, the article selected the more comprehensive painting of Tang and Song dynasties as an important resource for the study. Through the study of its architectural appearance and its source, it reveals its profound connotation, while complements the blank of architectural historical data at the same time. It also provides a new perspective for the study of urban and social-related disciplines. The study takes architectural images as the content of painting works of Tang and Song dynasties. Exploring its historical value and realistic value is the starting point of this paper. Firstly, it verifies its authenticity by studying the layout, type, structure, environment and social background and status of the painting itself. The purpose is to prove its reliability as architectural data through analysis. Secondly, to study the idealistic architectural images in these paintings, and to interpret the ideal city of the artists at that time. Architecture or architectural environment forward-looking thinking. Finally, through scientific methods to interpret the painting of architectural images, Tang and Song Dynasty painting in the architectural types of classification and summary, the use of models to make, virtual restoration. Color extraction and other means to restore the then architecture and space scene, in order to provide sufficient basis and guidance for the protection and maintenance of the buildings left over from the modern Tang and Song dynasties. A good supplement to the historical data of contemporary architecture part of the blank, open up a new perspective of social and urban issues, combing and improving the contemporary Tang and Song Dynasty existing architectural protection and reuse system. It provides a more complete database for contemporary archaic architecture and related building virtual construction.
【學位授予單位】：西安建筑科技大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：TU-851

【引證文獻】

相關會議論文 前1條

1 李楊文昭;;中國古建筑研究方法之從中國古代繪畫作品研究中國古建筑——以清明上河圖為例[A];2014年中國建筑史學會年會暨學術研討會論文集[C];2014年

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本文編號：1382876