本文關(guān)鍵詞： 學(xué)術(shù)共同體 家刻 近代出版業(yè)　出處：《中國出版》2017年18期 　論文類型：期刊論文

【摘要】：家刻作為中國古代重要的出版形式之一,曾以底本好、�？本�、工藝專的優(yōu)勢與官刻、坊刻并稱三大刻書系統(tǒng)。一方面,文人士子從事家刻能夠滿足其對書籍?dāng)?shù)量與質(zhì)量的要求,由文人士子構(gòu)成的學(xué)術(shù)共同體從能力、目標(biāo)和需求等方面都與家刻相輔相成,從而促進(jìn)了家刻在清代的發(fā)展。但另一方面,學(xué)術(shù)共同體又具有地域、關(guān)注焦點的限制,它也同樣將家刻發(fā)展的方向限定在了狹小的范圍之內(nèi),阻礙了家刻作為一種"產(chǎn)業(yè)"的發(fā)展,因此也成為家刻向近代出版業(yè)轉(zhuǎn)型的限制因素。
[Abstract]:As one of the most important publishing forms in ancient China, home carvings were known as the three major engraving systems on the one hand, based on the advantages of good foundation, collation, technical expertise, and official engraving. Scholars engaged in home engraving can meet their requirements for the quantity and quality of books. The academic community composed of literati scholars complements it in the aspects of ability, goal and demand. On the other hand, the academic community also had the limitation of region and focus, and it also confined the direction of the development of the family inscription to a narrow range. It hinders the development of home engraving as a kind of "industry", so it also becomes the limiting factor of the transition from home engraving to modern publishing industry.
【作者單位】： 內(nèi)蒙古大學(xué)文學(xué)與新聞傳播學(xué)院;
【分類號】：G239.29

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本文編號：1546932