本文關(guān)鍵詞： 啦啦操 舞蹈啦啦操 集體花球 轉(zhuǎn)體動作　出處：《北京體育大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：啦啦操運(yùn)動主要包括技巧啦啦操和舞蹈啦啦操兩大項(xiàng)目類別。集體花球項(xiàng)目目前是我國舞蹈啦啦操項(xiàng)目中普及性最強(qiáng)同時也是最具代表性的一項(xiàng)體育運(yùn)動,憑借其獨(dú)特的運(yùn)動魅力近年來在我國發(fā)展尤為突出。通過對集體花球項(xiàng)目的觀察研究以及觀看啦啦操世界錦標(biāo)賽的比賽視頻,發(fā)現(xiàn)轉(zhuǎn)體動作近年來已經(jīng)逐漸成為集體花球項(xiàng)目中不可或缺的一部分,同時也是其最具表現(xiàn)力、展現(xiàn)團(tuán)隊實(shí)力、渲染現(xiàn)場氣氛的一大看點(diǎn)。因此,本文試圖通過對轉(zhuǎn)體動作在集體花球項(xiàng)目中的應(yīng)用統(tǒng)計與研究,分析出集體花球項(xiàng)目轉(zhuǎn)體動作的發(fā)展現(xiàn)狀與結(jié)構(gòu)特征,為我國的舞蹈啦啦操事業(yè)發(fā)展提供一定的理論參考依據(jù)。本文就轉(zhuǎn)體動作在集體花球項(xiàng)目中的應(yīng)用為研究主體,運(yùn)用文獻(xiàn)資料法、視頻分析法、專家訪談法以及數(shù)理統(tǒng)計法等研究方法深入探討與分析轉(zhuǎn)體動作在集體花球項(xiàng)目中的應(yīng)用現(xiàn)狀及特征,研究結(jié)果顯示:1.集體花球項(xiàng)目轉(zhuǎn)體動作的單一技術(shù)動作應(yīng)用中,相同動作重復(fù)使用率較高,使用的動作類型較為單一,缺乏多樣性與創(chuàng)新性的體現(xiàn)。2.轉(zhuǎn)體動作在近三屆啦啦操世錦賽集體花球項(xiàng)目的應(yīng)用中,單一技術(shù)動作的應(yīng)用數(shù)量呈現(xiàn)遞減趨勢,組合技術(shù)動作與多元技術(shù)動作的應(yīng)用數(shù)量呈現(xiàn)出明顯的增長趨勢,轉(zhuǎn)體動作的編排與應(yīng)用呈現(xiàn)出多樣創(chuàng)新、層次豐富、花樣變化、和復(fù)雜高難的發(fā)展趨勢。3.集體花球項(xiàng)目的成套動作中,高難轉(zhuǎn)體動作組合大多分布在成套動作的前半部分,成套動作的后半部分較少出現(xiàn)難度較高的轉(zhuǎn)體動作。4.目前在集體花球項(xiàng)目中,轉(zhuǎn)體動作的銜接方式以操化動作銜接為主,下地動作、跳躍類動作、柔韌類動作以及翻騰類動作應(yīng)用于轉(zhuǎn)體動作銜接的數(shù)量較少,轉(zhuǎn)體動作與銜接動作的空間結(jié)構(gòu)構(gòu)架較為單薄,仍具有很大的發(fā)展及提升空間,同時這也對運(yùn)動員的身體能力的發(fā)展提出了更高的要求。5.在集體花球項(xiàng)目中,運(yùn)動員完成轉(zhuǎn)體動作的組合方式較為單一,隊形切割的層次結(jié)構(gòu)有待豐富,運(yùn)動員完成轉(zhuǎn)體動作的不同的組合方式的分配比重需要均衡協(xié)調(diào)發(fā)展。
[Abstract]:Cheerleading consists of two major categories: technical cheerleading and dance cheerleading. At present, the collective ball project is the most popular and representative sport in the dance, cheerleading and calisthenics events in our country. By virtue of its unique sports charm, it has developed particularly in China in recent years. Through the observation and study of the collective ball events and watching the video of the tournaments of the world championships, In recent years, it has been found that rotating action has become an indispensable part of the collective ball project, and it is also the most expressive, showing team strength, and rendering the atmosphere of the scene. This paper attempts to analyze the development status and structural characteristics of the rotating action of the collective ball project through the statistics and research on the application of the rotating action in the collective ball project. To provide a certain theoretical reference for the development of dance cheerleading in our country. This paper focuses on the application of rotary action in collective ball projects, using the method of literature and video analysis. The research methods, such as expert interview and mathematical statistics, deeply discuss and analyze the current situation and characteristics of the application of the rotating action in the collective ball project. The research results show that: 1.The single technical action application of the collective ball project. The repetition rate of the same movement is high, the type of action used is single, and the embodiment of diversity and innovation is lacking. The number of application of single technical action is decreasing, the number of combined technical action and multiple technical action is obviously increasing, the arrangement and application of rotating action is varied and innovative, the level is rich, and the pattern is changing. And the development trend of complex and difficult. 3. In the collective ball project, the combination of highly difficult twisting movements is mostly distributed in the first half of the complete set of actions. At present, in the collective ball project, the cohesive mode of the swivel action is mainly connected with the operational action, the ground action, the jump type action, the second half of the complete set of actions is less difficult. The flexible action and the flip type action applied in the rotation movement cohesion quantity is less, the rotation movement and the cohesive movement spatial structure frame is relatively thin, still has the very big development and the promotion space, the movement and the connection movement spatial structure frame is relatively thin, still has the very big development and the promotion space. At the same time, this also put forward higher requirements for the development of athletes' physical ability. 5. In the collective ball project, the combination mode of the athletes to complete the rotation action is relatively single, and the hierarchical structure of formation cutting needs to be rich. It is necessary to balance and coordinate the proportion of the different combinations of athletes to complete the rotation.
【學(xué)位授予單位】：北京體育大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：G837

【相似文獻(xiàn)】

相關(guān)期刊論文 前10條

1 萬勝紅;淺談跳水轉(zhuǎn)體動作的教學(xué)訓(xùn)練[J];湖北體育科技;2004年01期

2 陳壽強(qiáng);;跳水訓(xùn)練中第五組轉(zhuǎn)體動作的教學(xué)方法——以十米跳臺5255B為例[J];科技風(fēng);2008年01期

3 王佳林;;用轉(zhuǎn)體動作轟炸腹肌[J];科學(xué)健身(健美先生);2010年04期

4 小茼;鄭偉;;鍛煉腰腹 包圍球場[J];體育博覽;2010年07期

5 陳亞明;;跨越式跳高中如何掌握過竿轉(zhuǎn)體動作[J];體育教學(xué);2011年10期

6 鄧弼強(qiáng);;發(fā)展轉(zhuǎn)體動作難度勢在必行[J];體育科技;1992年S1期

7 董盛;;論對跳水轉(zhuǎn)體動作5255D的教學(xué)方法[J];南京體育學(xué)院學(xué)報(自然科學(xué)版);2010年02期

8 郝妍;張君楠;;常住理論練習(xí)系列之樂體——連動轉(zhuǎn)體動作練習(xí)[J];世界高爾夫;2013年Z1期

9 周鳳渝;藝術(shù)體操高難轉(zhuǎn)體動作的設(shè)計與教法構(gòu)想[J];體育與科學(xué);1989年05期

10 徐文展;;淺析跳臺反身轉(zhuǎn)體5337D的教學(xué)方法[J];福建體育科技;2014年01期

相關(guān)會議論文 前1條

1 郝衛(wèi)亞;;基于多體系統(tǒng)質(zhì)量幾何計算方法的人體空中翻騰和轉(zhuǎn)體動作的研究[A];第九屆全國體育科學(xué)大會論文摘要匯編(2)[C];2011年

相關(guān)重要報紙文章 前1條

1 記者 潘治 馬向菲;關(guān)于未來奧運(yùn)的科技狂想[N];新華每日電訊;2012年

相關(guān)碩士學(xué)位論文 前2條

1 辛蒙;核心穩(wěn)定性訓(xùn)練對藝術(shù)體操轉(zhuǎn)體動作完成質(zhì)量影響的研究[D];西安體育學(xué)院;2016年

2 孫景妍;轉(zhuǎn)體動作在近三屆啦啦操世錦賽集體花球項(xiàng)目中的應(yīng)用研究[D];北京體育大學(xué);2017年

，

本文編號：1529294