【摘要】：以樹作為柱的原型的設計思考在建筑史中由來已久,而將森林作為群柱空間原型的設計視角則由此衍生而來。前者在歷史演進中所經(jīng)歷的設計方法上的轉(zhuǎn)變對后者產(chǎn)生影響——從單純形態(tài)上的模仿到追求其意象的表達。在森林教堂門廊及但丁紀念堂森林部分中,建筑師在面對群柱空間毗鄰森林及獨自為林兩種情境時,通過對細部的特殊處理表達了不同的森林意象。
[Abstract]:There is a long history in the architectural history for the design thinking of the prototype with tree as the pillar, and the angle of view from which the forest is used as the archetype of the space of the group column is derived from it. The changes in the design methods experienced by the former in the historical evolution have an impact on the latter, from the pure form of imitation to the pursuit of the expression of its image. In the forest section of the forest church porch and Dante Memorial Hall, the architects express different forest images through the special treatment of the details when facing the two situations of the forest adjacent to the forest space and the stand alone.
【作者單位】： 北京大學;
【分類號】：TU251;TU252
，

本文編號：2406105