【摘要】：上海大舍建筑設(shè)計(jì)事務(wù)所(以下簡(jiǎn)稱大舍)自成立以來(lái),通過(guò)設(shè)計(jì)實(shí)踐探索了建筑領(lǐng)域很多方面的問(wèn)題,與這一探索過(guò)程相伴隨的,是不同階段設(shè)計(jì)語(yǔ)言的差異化。而在這種差異化背后,對(duì)于空間組織關(guān)系的關(guān)注貫穿了大舍整個(gè)建筑實(shí)踐歷程。作為國(guó)內(nèi)建筑師職業(yè)化過(guò)程中較有影響的、完全由本土建筑師主持的民營(yíng)事務(wù)所,大舍的作品在國(guó)內(nèi)一直受到關(guān)注,具有一定的代表性。為了更好地了解本土建筑師的職業(yè)發(fā)展歷程,本文擬以大舍設(shè)計(jì)實(shí)踐中的空間組織邏輯為線索,根據(jù)其在業(yè)務(wù)實(shí)踐早期提出的“離”的設(shè)計(jì)哲學(xué)及由此發(fā)展出的“單元聚合”的設(shè)計(jì)方法在不同時(shí)期的發(fā)展變化,探討其立足現(xiàn)代建筑傳統(tǒng)、應(yīng)對(duì)中國(guó)問(wèn)題、探索建筑形式語(yǔ)言的過(guò)程并分析其中規(guī)律。本文以大舍的建筑作品為研究對(duì)象。通過(guò)文獻(xiàn)調(diào)研、實(shí)地調(diào)研、工作實(shí)習(xí)、現(xiàn)場(chǎng)訪談等多種研究方法,首先對(duì)其建筑實(shí)踐歷程進(jìn)行梳理,結(jié)合其理論研究和實(shí)踐作品找出大舍在空間組織方式上的發(fā)展變化。在此基礎(chǔ)上,分別對(duì)其前期較為顯著和后期較為含蓄的兩類單元聚合模式的建筑案例做出討論。對(duì)這兩類建筑,本文分別選取了一例代表作——青浦青少年活動(dòng)中心與龍美術(shù)館西岸館,以此為主體,配合大舍其他相關(guān)的案例,從設(shè)計(jì)理念、設(shè)計(jì)方法、施工建造等方面進(jìn)行深入分析,從而對(duì)大舍建筑作品中的空間組織邏輯進(jìn)行總結(jié)。通過(guò)分析,本文指出大舍依托于對(duì)“離”這一美學(xué)概念的深入研究,將其演化為對(duì)空間組織關(guān)系上的“單元聚合”模式的不斷嘗試。在現(xiàn)代主義建筑框架下,通過(guò)對(duì)連續(xù)或斷續(xù)等不同類型空間構(gòu)思的反復(fù)思考,融入對(duì)城市肌理以及自然聚落生成機(jī)制的提煉融合,大舍的建筑作品呈現(xiàn)出“獨(dú)立單元,同類重復(fù),自由布局,若即若離”的特征,并逐漸發(fā)展為大舍堅(jiān)持探索的方向之一。此次研究,不僅是對(duì)大舍建筑設(shè)計(jì)語(yǔ)言的一次系統(tǒng)梳理,也是了解我國(guó)當(dāng)代獨(dú)立建筑師思想與作品的一個(gè)窗口。本文的研究表明,“若即若離”的空間組織邏輯不應(yīng)被看作個(gè)別事務(wù)所的獨(dú)立探索,它其實(shí)與中國(guó)傳統(tǒng)的空間思維有著千絲萬(wàn)縷的聯(lián)系,既能運(yùn)用于建筑空間中,也能催生新的城市設(shè)計(jì)方法,兼具理論和實(shí)踐價(jià)值。
[Abstract]:Since the establishment of Shanghai Dashe Architectural Design firm (hereinafter referred to as Dashe), many problems in the field of architecture have been explored through design practice, which is accompanied by the difference of design languages in different stages. But behind this kind of differentiation, the attention to the spatial organization relation has run through the whole architectural practice course of Dashang. As a private firm, which is totally presided over by local architects, the works of Dashe have been paid attention to in China and have a certain representativeness in the process of professionalization of architects in China. In order to better understand the professional development of local architects, this paper intends to take the logic of spatial organization in the practice of Dashang design as the clue. According to the design philosophy of "separation" put forward in the early period of business practice and the development and change of the design method of "unit aggregation" in different periods, this paper discusses how to deal with the problems of China based on the tradition of modern architecture. Explore the process of architectural formal language and analyze the rules. This paper takes the architecture works of Dashe as the research object. Through literature investigation, field investigation, work practice, field interview and other research methods, this paper firstly combs the architectural practice process, and finds out the development and change of the spatial organization mode of Dashang in combination with its theoretical research and practical works. On the basis of this, the paper discusses the two kinds of building cases which are obvious in the earlier stage and implicit in the later stage. To these two kinds of buildings, this article has selected one representative work separately-Qingpu Youth activity Center and the Dragon Art Museum West Bank Pavilion, this as the main body, cooperates with the big house other related cases, from the design idea, the design method, The construction and other aspects of in-depth analysis, so as to sum up the logic of space organization in Dashe architectural works. Through analysis, this paper points out that Dasher relies on the in-depth study of the aesthetic concept of "separation" and evolves it into a constant attempt on the "unit aggregation" model in the spatial organization relationship. In the framework of modernism architecture, through the repeated thinking of different types of spatial conception, such as continuous or intermittent, and the refinement and fusion of urban texture and natural settlement generation mechanism, Dashe's architectural works present "independent units". The same kind of repeated, free layout, the characteristics of "if separated", and gradually developed into one of the direction of Dashe insist on exploration. This study is not only a systematic review of the architecture design language, but also a window to understand the thoughts and works of contemporary independent architects in China. The research in this paper shows that the spatial organization logic of "stay aloof" should not be regarded as an independent exploration of individual firms. It is actually inextricably linked with Chinese traditional spatial thinking and can be used in architectural space. Can also give birth to new urban design methods, both theoretical and practical value.
【學(xué)位授予單位】：北京建筑大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TU201

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