【摘要】：《長物志》為中國造園史上的一部名著。該書以園林營造為主線,形象地揭示了那時文人清居生活的環(huán)境與追求,是研究晚明文人園林審美藝術(shù)與價值的重要文獻(xiàn)。但是,學(xué)者對《長物志》的關(guān)注和研究并不多,并且視角不夠全面。不是脫離審美只談造園藝術(shù),就是脫離園林談美學(xué)意蘊(yùn)。這兩種研究方法都是單一且不可持續(xù)的,不能挖掘出文震亨在《長物志》中所蘊(yùn)含的真正意義和價值。因此,本文將造園藝術(shù)與審美意蘊(yùn)相結(jié)合,從美學(xué)的角度探索《長物志》中的造園藝術(shù)和審美價值。本文以《長物志》作為研究對象,結(jié)合晚明時期的造園實(shí)踐,從美學(xué)的角度分析當(dāng)時的造園風(fēng)格,探討和發(fā)掘晚明文人士大夫的生活趣味和審美追求。論文主要從三個方面展開論述:首先,根據(jù)文震亨所處的歷史時代,以及文震亨生平、作品,分析其園林轉(zhuǎn)向的原因,即消極入世與半仕半隱的無奈;寄情山水與悠閑清居的解脫;清傲自為和文氏家風(fēng)的顯現(xiàn)。文震亨在情感寄托和精神慰藉上的變化為其轉(zhuǎn)向園林營造提供了契機(jī),并展現(xiàn)出當(dāng)時文人的普遍心理矛盾和“園林熱”的現(xiàn)象。其次,結(jié)合《長物志》室廬篇以及有關(guān)的建筑構(gòu)件,由淺入深分析其中的造園藝術(shù)。第一層是從三個方面論述園林的營造藝術(shù),即適用、適宜、循古的營造理念,取式而造、因地而制、引曲入勝的營造手法,以及生活與藝術(shù)共創(chuàng)、內(nèi)心與外在兼修的營造原則;第二層是論述園林的布局藝術(shù),即從功能性、協(xié)調(diào)性和人性化的分別闡釋;第三層是論述園林的裝飾藝術(shù),即順其性而自然、簡其色而雅致的裝飾風(fēng)格。文震亨在造園藝術(shù)上的所追求的藝術(shù)風(fēng)格,展現(xiàn)了晚明時期文人園林的營造風(fēng)尚和價值趨向,同時也體現(xiàn)了當(dāng)時“文人清居”的生活理念和生活方式。最后,總結(jié)文震亨及其晚明文人的生活趣味和審美追求。本文在園林營造過程中,發(fā)掘文震亨所表達(dá)的審美意蘊(yùn),即簡約樸素的審美價值、雅致生趣的審美趣味和靜觀內(nèi)轉(zhuǎn)的審美觀照。文震亨通過《長物志》,以其獨(dú)特的視角和方式,展現(xiàn)了晚明文人園林的生活觀和審美觀,這對當(dāng)代人生活方式的改善具有借鑒價值。
[Abstract]:The chronicles of the long things is a famous work in the history of Chinese gardening. The book, which takes the garden construction as the main line, vividly reveals the environment and pursuit of the literati living in the Qing Dynasty, and is an important document to study the aesthetic art and value of the literati gardens in the late Ming Dynasty. However, scholars do not pay much attention to and research on Longwu Records, and the perspective is not comprehensive enough. Not only the art of gardening, but also the meaning of aesthetics. These two research methods are both single and unsustainable, which can not excavate the true meaning and value of Wen Zhenheng in the chronicles of long things. Therefore, this paper combines the art of gardening with aesthetic implication, and explores the art and aesthetic value of gardening from the perspective of aesthetics. In this paper, the author takes Longwu Records as the research object, combining with the gardening practice in the late Ming Dynasty, analyzes the gardening style from the angle of aesthetics, and probes into and explores the life interest and aesthetic pursuit of the literati and officials of the late Ming Dynasty. This paper mainly discusses from three aspects: firstly, according to the historical era in which Wen Zhenheng lived, as well as the life and works of Wen Zhenheng, the author analyzes the reasons for his garden turning, that is, passive entry into WTO and half-hidden helplessness; Feelings of landscape and leisurely Qingju liberation; Qing haughtiness and the appearance of the style of the Wen family. Wen Zhenheng's changes in emotional sustenance and spiritual comfort provided an opportunity for him to turn to the garden, and showed the general psychological contradiction and the phenomenon of "garden craze" of the literati at that time. Secondly, the author analyzes the art of gardening from the perspective of "Changwu Chronicles" and related architectural components. The first layer is from three aspects to discuss the garden construction art, that is, applicable, appropriate, according to the ancient construction idea, take form and build, because of the ground and system, lead to win the construction techniques, and life and art create, heart and external repair of the building principles; The second layer is to discuss the layout art of garden, that is, from the function, coordination and humanization, respectively, and the third layer is to discuss the decorative art of garden, that is, the decoration style is natural and natural, simple in color and elegant in color. The artistic style pursued by Wen Zhenheng in the art of garden construction showed the fashion and value trend of the literati gardens in the late Ming Dynasty, and also reflected the life concept and life style of the literati living in Qing Dynasty at that time. Finally, it summarizes the life interest and aesthetic pursuit of Wen Zhenheng and his late Ming literati. In the process of garden construction, this paper explores the aesthetic meaning expressed by Wen Zhenheng, that is, the simple and simple aesthetic value, the elegant aesthetic taste and the aesthetic light of the inner turning of the quiet view. Wen Zhenheng showed the outlook of life and aesthetics of literati gardens in the late Ming Dynasty by his unique visual angle and way, which has reference value for the improvement of modern people's way of life.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：TU986.1

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