本文選題：體悟 + 情境��； 參考：《建筑學(xué)報(bào)》2017年11期

【摘要】：通過(guò)對(duì)卡洛·斯卡帕最后一件作品——布萊恩墓園的解析,嘗試勾勒出斯卡帕設(shè)計(jì)的空間美學(xué)及其產(chǎn)生的作用。布萊恩墓園稍瞬即逝的空間經(jīng)驗(yàn)和永恒的詩(shī)意處于片段的情境里,它是一個(gè)以局部展示出整體的精神裝置�？臻g的審美從超驗(yàn)空間和物質(zhì)空間被情景空間美學(xué)所整合,動(dòng)覺的、感知的和心理的空間維度將重新參與到建筑意義的建構(gòu)過(guò)程中。
[Abstract]:Through the analysis of Cemetery Blaine, the last work of Karoskapa, this paper attempts to outline the space aesthetics of Scarpa's design and its effect. Brian's Cemetery is a scene in which the space experience and the eternal poetic experience are in a segment. It is a mental device that displays the whole in part. The aesthetic of space is integrated by the aesthetics of scene space from transcendental space and material space. The space dimension of kinesthesia perception and psychology will participate in the construction process of architectural meaning again.
【作者單位】： 廣州美術(shù)學(xué)院建筑藝術(shù)設(shè)計(jì)學(xué)院;
【分類號(hào)】：TU251
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本文編號(hào)：2057643