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山西繁峙縣公主寺佛教空間研究

發(fā)布時間:2018-05-16 05:16

  本文選題:公主寺 + 漢傳佛寺; 參考:《太原理工大學》2017年碩士論文


【摘要】:源于印度的佛教文化在中國的傳播過程中逐漸本土化,發(fā)展成為中國文化的重要組成部分。公主寺,位于繁峙縣公主村,原為北魏文成帝為其女兒信誠公主出家所建,屬五臺山外九寺之一。五臺山是文殊菩薩的道場,位列四大佛山之首,是北方佛教文化的典型代表。繁峙縣離五臺山地區(qū)不遠,北有恒山山脈,南靠五臺山,又有潺沱河貫穿全境,地理位置優(yōu)越,為佛寺的創(chuàng)建提供了極好的自然條件。公主寺從建筑布局的外部空間,到殿內(nèi)雕塑與壁畫營造的內(nèi)部空間,再到壁畫圖像本身體現(xiàn)的二維空間,都具有較高的藝術(shù)價值,同時又是社會意識形態(tài)的一種反映,對它的研究是十分必要的。除緒論外,本文主要從五個方面展開對公主寺佛教空間的研究。第一部分介紹了公主寺的概況,主要從歷史沿革、地理區(qū)位以及現(xiàn)存狀況三個方面展開;第二部分分析了公主寺建筑外部空間形態(tài),包括單座建筑的立面形態(tài)、建筑組織形式以及空間序列;第三部分對公主寺內(nèi)兩座主殿即毗盧殿、大佛殿的空間進行分析,探究內(nèi)部空間布局與禮拜活動及宗教氛圍的關(guān)系;第四部分內(nèi)容圍繞大佛殿壁畫展開,通過壁畫構(gòu)圖分析壁畫空間,并探索壁畫與建筑空間的關(guān)系;第五部分探析公主寺佛教空間形成的原因。希望通過對公主寺佛教空間的研究,探究在特定的時代、文化背景下的漢傳佛寺的空間表現(xiàn)形式。
[Abstract]:The Buddhism culture originated from India was gradually localized in China and developed into an important part of Chinese culture. Princess Temple, located in Fanshi County Princess Village, was originally built for his daughter Princess Xincheng, one of the nine temples outside Wutai Mountain. Wutai Mountain, the Taoist center of Manjusri Bodhisattva, is the first of the four major Buddhist mountains and a typical representative of northern Buddhist culture. Fanshi County is not far from the Wutai Mountain area, there are Hengshan Mountains in the north, Wutai Mountain in the south, and the ripple river running through the whole territory, providing excellent natural conditions for the establishment of the Buddhist Temple. Princess Temple has high artistic value from the external space of architectural layout to the interior space created by sculptures and murals in the temple, and to the two-dimensional space embodied in the murals themselves. It is also a reflection of social ideology. It is necessary to study it. In addition to the introduction, this paper mainly from five aspects of the study of the Buddhist space of the Princess Temple. The first part introduces the general situation of Princess Temple, mainly from the historical evolution, geographical location and the existing situation of three aspects; the second part of the analysis of the princess temple building external space form, including the facade form of single building, The third part analyzes the space of the two main halls in the Princess Temple, namely, the Bilu Temple and the Great Buddha Temple, and probes into the relationship between the internal spatial layout and the worship activities and religious atmosphere. The fourth part focuses on the murals of the Great Buddha Temple, analyzes the space of the murals through the composition of the murals, and explores the relationship between the murals and the architectural space. The fifth part explores the reasons for the formation of the Buddhist space of the Princess Temple. Through the study of the Buddhist space of the Princess Temple, this paper explores the spatial manifestation of the Buddhist Temple of Han Dynasty in the specific era and cultural background.
【學位授予單位】:太原理工大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:TU252

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