中西方傳統(tǒng)園林動(dòng)態(tài)水景藝術(shù)比較研究
本文選題:傳統(tǒng)園林 切入點(diǎn):環(huán)境 出處:《吉林建筑大學(xué)》2017年碩士論文 論文類型:學(xué)位論文
【摘要】:在人類生活中水是最平凡不過的資源了,它無時(shí)無刻的出現(xiàn)在人們的生活中,是日常生活中生存的必備品。人們對(duì)水的利用也是無處不在,水在園林建設(shè)中也具有十分重要不能取締的地位,構(gòu)成人們賞心悅目的水景觀是設(shè)計(jì)師的目標(biāo)。水是園林造景的重要元素之一,然而園林景觀場(chǎng)地,則是人類與自然進(jìn)行物質(zhì)與情感交流的一種場(chǎng)所,它們存在的本質(zhì)上的意義就是來協(xié)調(diào)人與自然之間的關(guān)系,維護(hù)人與自然日益分離的生態(tài)環(huán)境。園林的建設(shè)是全球性所重點(diǎn)關(guān)注的,是現(xiàn)代城市建設(shè)中的重要組成部分。但因?yàn)樯鐣?huì)、經(jīng)濟(jì)、政治等各個(gè)方面的發(fā)展和條件的不同,中國(guó)和西方國(guó)家的園林建設(shè)一直都存在很大的差異性,形成了兩大差異性明顯的類型體系。這也是體現(xiàn)了世界園林的豐富性,是世界園林重要的組成部分。中西方園林在發(fā)展的歷程中,也具有很多園林的共同特性,是人類通過營(yíng)造自然化、藝術(shù)化的游賞空間,來充實(shí)現(xiàn)代生活環(huán)境下天然缺少的成分,滿足人類實(shí)現(xiàn)更高的、健康的生活品質(zhì)的需要。隨著歷史發(fā)展和科學(xué)技術(shù)的進(jìn)步,中西方各個(gè)國(guó)家之間的交流日益頻繁,園林藝術(shù)的發(fā)展也出現(xiàn)了相互借鑒、相互滲透的局面。中西結(jié)合式園林造景形式的產(chǎn)物越來越多,豐富了彼此的園林文化給人們生活帶來別樣的體驗(yàn)。園林的造景形式有很多種元素,植物、建筑、山石、水體等等,其中造園家們對(duì)水景元素的使用率要遠(yuǎn)遠(yuǎn)大于其它造景元素。它不但是人類生存最根本的物質(zhì)基礎(chǔ),也同時(shí)在人們的精神空間中也有著不可磨滅的地位。一直以來人們對(duì)水的依賴使得自然水體的自身的價(jià)值發(fā)生了改變,它不再是單純的具有物理性質(zhì),也不單單是原來自然界中固有的形式,在藝術(shù)化的創(chuàng)造下具有了靈性,賦予了感情,成為了有精神的生命。本文主要通過中國(guó)和西方代表性的傳統(tǒng)園林,對(duì)各個(gè)時(shí)期的發(fā)展過程來描述考究,揭示兩大體系中造園思想和造園方式不同的前提下,產(chǎn)生的不同的動(dòng)態(tài)水景形式。論文題目對(duì)研究的范圍有了界定,在論文中的“中西”傳統(tǒng)園林,“中”指的是中國(guó),“西”主要指西方從古代時(shí)期、中世紀(jì)時(shí)期、十八世紀(jì)的幾個(gè)重要代表性的國(guó)家園林的發(fā)展?fàn)顩r,并且對(duì)意大利、法國(guó)、英國(guó)的園林發(fā)展做出了深入的分析,列舉了大量的實(shí)例加以說明,更加深入人心。從原始的人類生活用水,到人們把自然水體創(chuàng)造出具有觀賞價(jià)值的水景觀,再到在我們周圍隨處可見的動(dòng)態(tài)水景,最后是用藝術(shù)化的手法來設(shè)計(jì)和規(guī)劃。它的發(fā)展歷程層層遞進(jìn),動(dòng)態(tài)水景用它千姿百態(tài)、流光溢彩的水體形式極大的豐富和美化著城市環(huán)境和園林風(fēng)景,充分體現(xiàn)出了水景在環(huán)境中的重要地位。
[Abstract]:Water is the most mundane resource in human life. It appears all the time in people's lives, and it is a necessary part of daily life. The use of water by people is everywhere, too. Water also plays a very important role in the construction of gardens. It is the goal of designers to form a water landscape that is pleasing to the eyes. Water is one of the important elements of landscape construction. It is a place where human beings and nature communicate with each other physically and emotionally. The essence of their existence is to coordinate the relationship between nature and human beings. The construction of gardens is the focus of global attention and an important part of modern urban construction. However, due to the social, economic, political and other aspects of development and conditions are different, The garden construction in China and western countries has always been very different, forming two distinct types of system, which also reflects the richness of the world gardens. It is an important part of the world garden. In the course of its development, Chinese and Western gardens also have many common characteristics of gardens. They are human beings who enrich the natural elements of modern living environment by creating natural and artistic tourist and appreciating space. With the development of history and the progress of science and technology, the exchanges between China and the West have become more and more frequent, and the development of garden art has also appeared to draw lessons from each other. Mutual penetration. More and more products of the combination of Chinese and Western landscape architecture form, enriched each other's garden culture to bring people a different experience of life. Garden landscape form has many kinds of elements, plants, buildings, mountains and rocks, Water bodies and so on, among them, the utilization rate of waterscape elements by gardeners is much higher than that of other landscape elements. It is not only the most fundamental material basis for human survival, It also has an indelible position in people's spiritual space. People's dependence on water has changed the value of the natural water body. It is no longer purely physical. Nor is it simply the inherent form of nature that has been spiritually created, endowed with feelings, and has become a spiritual life under the creation of art. This article is mainly based on the traditional gardens, which are representative of China and the West. The development process of each period is described and studied to reveal the different dynamic waterscape forms under the premise of different garden construction ideas and ways in the two systems. In this paper, "Chinese and Western" traditional gardens refer to China, "West" mainly refers to the development of several important representative national gardens in the West from the ancient period, the Middle Ages period, 18th century, and to Italy, France, The development of gardens in Britain has made a deep analysis, and a large number of examples have been cited to illustrate it, which is more deeply rooted in the hearts of the people. From the original water use for human life to the creation of the water landscape with ornamental value by people to create the natural water body, And then to the dynamic waterscape, which can be seen everywhere around us, and finally to design and plan it in an artistic way. Its development process is progressive, and the dynamic waterscape uses it in a variety of ways. The colorful water body greatly enriches and beautifies the urban environment and landscape, which fully reflects the important position of waterscape in the environment.
【學(xué)位授予單位】:吉林建筑大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:TU986.43
【相似文獻(xiàn)】
相關(guān)期刊論文 前10條
1 張曉燕;李寶豐;;淺析廊在傳統(tǒng)園林中的作用[J];北京林業(yè)大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2008年02期
2 王新軍;王燕;;常州傳統(tǒng)園林在城市建設(shè)中的價(jià)值探索[J];安徽農(nóng)業(yè)科學(xué);2011年08期
3 王中華;;傳統(tǒng)園林文化在人文奧運(yùn)中的發(fā)展[J];北京園林;2003年02期
4 鞠志超;城市傳統(tǒng)園林風(fēng)景點(diǎn)的地位及開發(fā)利用[J];防護(hù)林科技;2005年03期
5 趙衡宇;陳煒;;山水情致,現(xiàn)代物語——一次建構(gòu)的傳統(tǒng)園林文化意匠嘗試[J];裝飾;2009年05期
6 吳薇;;中西方文化差異在中法傳統(tǒng)園林上的影響[J];黑龍江科技信息;2009年25期
7 劉瑋瑋;;符號(hào)學(xué)在傳統(tǒng)園林中的運(yùn)用及啟示[J];山西建筑;2010年07期
8 商玉紅;;傳統(tǒng)園林的細(xì)節(jié)元素符號(hào)運(yùn)用研究[J];山西建筑;2010年09期
9 王青嵐;張勃;;論當(dāng)代大學(xué)校園中傳統(tǒng)園林環(huán)境的塑造與素質(zhì)教育的關(guān)系[J];北方工業(yè)大學(xué)學(xué)報(bào);2010年04期
10 邰杰;;蘇州傳統(tǒng)園林藝術(shù)的空間形態(tài)[J];南通大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2011年01期
相關(guān)會(huì)議論文 前2條
1 王雅麗;;淺談傳統(tǒng)園林的保護(hù)和可持續(xù)發(fā)展[A];2008北京奧運(yùn)園林綠化的理論與實(shí)踐[C];2009年
2 王中華;;傳統(tǒng)園林文化在人文奧運(yùn)中的發(fā)展[A];北京奧運(yùn)和城市園林綠化建設(shè)論文集[C];2002年
相關(guān)博士學(xué)位論文 前2條
1 王欣;傳統(tǒng)園林種植設(shè)計(jì)理論研究[D];北京林業(yè)大學(xué);2005年
2 邵丹錦;中國(guó)傳統(tǒng)園林種植設(shè)計(jì)理法研究[D];北京林業(yè)大學(xué);2012年
相關(guān)碩士學(xué)位論文 前10條
1 劉雪芳;中西傳統(tǒng)園林水藝術(shù)比較[D];湘潭大學(xué);2008年
2 薛力銘;傳統(tǒng)園林在新中式住宅環(huán)境設(shè)計(jì)中的應(yīng)用研究[D];西北農(nóng)林科技大學(xué);2016年
3 黃元;中西方傳統(tǒng)園林動(dòng)態(tài)水景藝術(shù)比較研究[D];吉林建筑大學(xué);2017年
4 孫云娟;嘉興傳統(tǒng)園林調(diào)查與研究[D];浙江農(nóng)林大學(xué);2012年
5 劉圓圓;廣西傳統(tǒng)園林風(fēng)水研究[D];廣西大學(xué);2012年
6 邰杰;蘇州傳統(tǒng)園林三大功能區(qū)域空間設(shè)計(jì)研究[D];蘇州大學(xué);2007年
7 劉希娟;傳統(tǒng)園林天人合一之思詩交融的藝術(shù)境界[D];東北林業(yè)大學(xué);2012年
8 王雯超;現(xiàn)代旅游背景下的傳統(tǒng)園林環(huán)境小品及設(shè)施藝術(shù)設(shè)計(jì)研究[D];西安建筑科技大學(xué);2012年
9 鄧傳力;藏式傳統(tǒng)園林(林卡)淺析[D];西南交通大學(xué);2005年
10 張曉春;“有若自然”——蘇州傳統(tǒng)園林的設(shè)計(jì)精髓[D];蘇州大學(xué);2004年
,本文編號(hào):1644922
本文鏈接:http://www.sikaile.net/jianzhugongchenglunwen/1644922.html