【摘要】：近代以降,以《海上花列傳》為代表的小說敘事時(shí)間由季節(jié)、時(shí)辰等模糊化表述向日期、鐘點(diǎn)等精確化指向轉(zhuǎn)變,敘事場(chǎng)景"夜"亦由傳統(tǒng)小說節(jié)慶化、儀式化向日常化、大眾化轉(zhuǎn)型。隨著小說傳統(tǒng)空間"家"的退隱和近代空間"都市"的崛起,線性的傳統(tǒng)敘事時(shí)間被逐漸壓縮并轉(zhuǎn)換成共時(shí)性空間呈現(xiàn),"四馬路"堂子與"一笠園"過渡性地?fù)?dān)負(fù)了小說"夜"敘事的空間功能�！逗Ｉ匣袀鳌方�(gòu)起的"夜"化近代時(shí)空形態(tài),標(biāo)志著中國(guó)都市小說敘事時(shí)空模式的初步形成。
[Abstract]:In modern times, the narration time represented by "Flower at Sea" has changed from the vague expression of seasons and hours to the date and the precise direction of the hour. The narrative scene "Night" has also changed from the traditional novel festival to the ritual to the daily life. Mass transformation. With the retreat of "home" in the traditional space of novel and the rise of "city" in modern space, The linear traditional narrative time was gradually compressed and transformed into synchronic space. The "four roads" and the "Yi Li Yuan" took on the space function of the narration of the novel "Night" in a transitional way. "the transformation of modern space-time forms, It marks the initial formation of narrative time-space mode in Chinese urban novels.
【作者單位】： 浙江財(cái)經(jīng)大學(xué)人文與傳播學(xué)院中文系;
【基金】：浙江省哲學(xué)社會(huì)科學(xué)規(guī)劃立項(xiàng)課題“清末民初小說中的‘江浙滬’文化共生現(xiàn)象研究”(13NDJC182YB)的研究成果
【分類號(hào)】：I207.41

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1 李開軍;論《海上花列傳》中的“蘇白”[J];齊魯學(xué)刊;2001年02期

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