南帆文學批評思想研究
發(fā)布時間：2018-09-11 14:19
【摘要】：作為中國當代著名的文學批評家,南帆不僅擁有扎實的國學根基,擅長借助中國古代文論中一些獨特的思維方式考察“中國問題”,而且具有開闊的西學視野,特別對西方現代、后現代文論的借鑒與運用眼光獨到、頗具批判意識與創(chuàng)造性。深厚的學養(yǎng)基礎與廣闊的學術視域使南帆的文學批評擁有當代文學批評少有的銳氣與魄力,呈現出獨具的基本特征:注重形式性的觀照、審美性的凸顯、語言性的考量與文化性的涉獵達到了文學內部批評與外部批評的有機融合;形象思維的運用、詩性語言的表達與理性之光的彰顯促成其作家批評與理論家批評的雙重視角;心智自由的追求與規(guī)約意識的建立成就其自由性與規(guī)約性辯證統(tǒng)一的批評風格。對元理論的反思能力和超文學的批評視野表明南帆已經達到楊守森老師提出的文學批評的第四重境界,這在中國當代文學批評“理論化”,“缺失”與“泛濫”的現狀面前具有重大啟示意義。文章第一部分從南帆文學批評的思想淵源與學術歷程兩個方面梳理南帆文學批評思想的發(fā)展歷程;第二部分從南帆文學批評思想的基本特征及其在實踐中的具體體現兩個方面論述,南帆文學批評的基本特征從三大方面進行論述——文學內部批評與外部批評的有機融合,作家創(chuàng)作經驗與理論家批評經驗的綜合運用,自由性與規(guī)約性辯證統(tǒng)一的批評風格;而第三部分主要從中國當代文學批評的角度探討南帆文學批評思想的價值、意義及其局限性。通過論述筆者試圖對南帆的文學批評思想進行全面整體的概括,并希望通過這次研究,為中國當代文學批評研究者提供新的啟示。
[Abstract]:As a famous literary critic in contemporary China, Nanfan not only has a solid foundation of Chinese culture, is good at studying "China problem" with the help of some unique ways of thinking in ancient Chinese literary theory, but also has a broad view of western learning. Especially for the western modern and post-modern literary theory reference and application vision is unique, critical consciousness and creativity. With its deep academic foundation and wide academic horizon, Nanfan's literary criticism has the rare vigor and drive of contemporary literary criticism, showing its unique basic characteristics: paying attention to formal reflection, highlighting aesthetic character. The consideration of language and culture reach the organic fusion of internal criticism and external criticism of literature, the use of image thinking, the expression of poetic language and the light of reason make his writer criticism and theorist criticism from a dual perspective. The pursuit of mental freedom and the establishment of statute consciousness have achieved its dialectical and unified criticism style of freedom and statute. The ability to reflect on meta-theory and the view of literary criticism indicate that Nanfan has reached the fourth level of literary criticism put forward by Yang Shou-sen, which is "theorized" in contemporary Chinese literary criticism. The present situation of "missing" and "flooding" has great enlightening significance. The first part of the article combs the development of Nanfan's literary criticism from two aspects: the ideological origin and academic process of Nanfan's literary criticism. The second part discusses the basic characteristics of Nanfan's literary criticism and its concrete embodiment in practice. The basic characteristics of Nanfan's literary criticism are discussed from three aspects-the organic integration of internal and external literary criticism. The author's creative experience and theorist's criticism experience are applied comprehensively, and the criticism style is dialectical and unified of freedom and stipulation, while the third part mainly discusses the value of Nanfan's literary criticism thought from the angle of contemporary Chinese literary criticism. Meaning and its limitation. The author tries to generalize Nanfan's thoughts of literary criticism in an all-round way and hopes to provide new enlightenment to the researchers of contemporary Chinese literary criticism through this study.
【學位授予單位】：河南師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I206.7
本文編號：2236936
[Abstract]:As a famous literary critic in contemporary China, Nanfan not only has a solid foundation of Chinese culture, is good at studying "China problem" with the help of some unique ways of thinking in ancient Chinese literary theory, but also has a broad view of western learning. Especially for the western modern and post-modern literary theory reference and application vision is unique, critical consciousness and creativity. With its deep academic foundation and wide academic horizon, Nanfan's literary criticism has the rare vigor and drive of contemporary literary criticism, showing its unique basic characteristics: paying attention to formal reflection, highlighting aesthetic character. The consideration of language and culture reach the organic fusion of internal criticism and external criticism of literature, the use of image thinking, the expression of poetic language and the light of reason make his writer criticism and theorist criticism from a dual perspective. The pursuit of mental freedom and the establishment of statute consciousness have achieved its dialectical and unified criticism style of freedom and statute. The ability to reflect on meta-theory and the view of literary criticism indicate that Nanfan has reached the fourth level of literary criticism put forward by Yang Shou-sen, which is "theorized" in contemporary Chinese literary criticism. The present situation of "missing" and "flooding" has great enlightening significance. The first part of the article combs the development of Nanfan's literary criticism from two aspects: the ideological origin and academic process of Nanfan's literary criticism. The second part discusses the basic characteristics of Nanfan's literary criticism and its concrete embodiment in practice. The basic characteristics of Nanfan's literary criticism are discussed from three aspects-the organic integration of internal and external literary criticism. The author's creative experience and theorist's criticism experience are applied comprehensively, and the criticism style is dialectical and unified of freedom and stipulation, while the third part mainly discusses the value of Nanfan's literary criticism thought from the angle of contemporary Chinese literary criticism. Meaning and its limitation. The author tries to generalize Nanfan's thoughts of literary criticism in an all-round way and hopes to provide new enlightenment to the researchers of contemporary Chinese literary criticism through this study.
【學位授予單位】：河南師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I206.7
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