【摘要】：冉正萬(wàn)是貴州一位新銳多產(chǎn)作家,近年來(lái)他以《銀魚(yú)來(lái)》為代表的長(zhǎng)篇小說(shuō)創(chuàng)作為文學(xué)界所矚目。然而已有對(duì)冉正萬(wàn)小說(shuō)的研究多集中于單篇作品和短篇小說(shuō)的分析,對(duì)作者長(zhǎng)篇小說(shuō)的研究非常薄弱,系統(tǒng)研究更是匱乏。本論文將冉正萬(wàn)不同時(shí)期的三部代表性長(zhǎng)篇小說(shuō)《洗骨記》、《銀魚(yú)來(lái)》《天眼》作為研究對(duì)象,力求使該研究具有一定的學(xué)術(shù)性和創(chuàng)新性。文章按照以下思路展開(kāi)論述:緒論部分綜述了冉正萬(wàn)已有研究成果,闡述了論文的研究目的和意義;第一章“冉正萬(wàn)小說(shuō)創(chuàng)作概況及與分期”,共分三節(jié),概述貴州文學(xué)發(fā)展脈絡(luò)及對(duì)作家的影響,對(duì)冉正萬(wàn)個(gè)人的生活歷經(jīng)和創(chuàng)作經(jīng)歷進(jìn)行梳理,并對(duì)他短篇、中篇、長(zhǎng)篇小說(shuō)創(chuàng)作情況進(jìn)行分期;第二章“三部長(zhǎng)篇小說(shuō)講述的‘貴州故事’”,分三節(jié)對(duì)《洗骨記》《銀魚(yú)來(lái)》《天眼》三部小說(shuō)逐一展開(kāi)文本解讀,分析作者以何種藝術(shù)手法完成對(duì)貴州故事的想象、思考和描繪;第三章“冉正萬(wàn)長(zhǎng)篇小說(shuō)的藝術(shù)特色”同樣分三節(jié),從主題思想、敘述語(yǔ)言和敘事風(fēng)格三方面,對(duì)冉正萬(wàn)長(zhǎng)篇小說(shuō)的藝術(shù)特色進(jìn)行宏觀概括和總結(jié)。最后有一個(gè)簡(jiǎn)短的結(jié)語(yǔ)。
[Abstract]:Ran Zhengwan is a new prolific writer in Guizhou. In recent years, his novel creation represented by Silverfish has attracted the attention of literary circles. However, the research on the novels of Jean Valjean is mostly focused on the analysis of single works and short stories, and the study of the author's novels is very weak, and the systematic study is even less. In this paper, three representative novels of Valjean in different periods of time, such as "Bone-washing", "Silverfish", "the Eye of Heaven", are taken as the research objects, and the research is made to be academic and innovative. The article is discussed according to the following train of thought: the introduction part summarizes the existing research results of ran Zhengwan, expounds the purpose and significance of the thesis, the first chapter, "the general situation and stages of the novel creation by ran Zhengwan", is divided into three sections. This paper summarizes the development of Guizhou literature and its influence on the writers, combs the life experience and creation experience of ten thousand people in Ranzheng, and divides his short, middle and long novels into stages. The second chapter, "Guizhou Story", is divided into three sections to analyze the three novels, "the Silverfish" and "the Eye of Heaven", one by one, and analyze the artistic means by which the author completes his imagination of the Guizhou story. The third chapter, "the artistic characteristics of the novels of ran Zhengwan", is also divided into three sections, which generalize and summarize the artistic characteristics of the novels from three aspects: theme, narrative language and narrative style. Finally, there is a short conclusion.
【學(xué)位授予單位】：貴州師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.425

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