【摘要】：《水滸傳》的圖像歷史悠久、形態(tài)豐富,當屬傳播文學(xué)的重要途徑。"文學(xué)與圖像關(guān)系"的視野和方法,有助于揭示圖像如何傳播"義"這一《水滸傳》主題。雖然小說中的"義"存在若干類型,但圖像傳播卻并不加以區(qū)分。借助符號的虛指特性,水滸圖像混淆乃至消弭了"義"的類型界線,即以同樣的圖式重復(fù)表彰不同類型的"義"。進一步研究表明,圖像不僅正面表彰符合儒家思想的"義",還反面"表彰"有悖于此的"不義"。因此,圖像"視覺錘"以其對"義"的高頻重復(fù)和對比鮮明的表彰,形成了語言符號所不具備的傳播優(yōu)勢。
[Abstract]:The images of Water margin have a long history and rich form, which is an important way to spread literature. " The visual field and method of the relation between literature and image can help to reveal how the image spreads the meaning, the theme of the Water margin. Although there are several types of meaning in the novel, image dissemination is not distinguished. With the aid of the fictitious characteristic of the symbol, the image of Water margin obfuscates and even eliminates the boundary of "meaning", that is to say, to repeat the recognition of different types of "meaning" with the same schema. Further research shows that image recognition not only conforms to the Confucian "meaning", but also reverse "recognition" is contrary to this "injustice". Therefore, the image "visual hammer" with its "meaning" high frequency repetition and contrasting recognition, has formed the language symbol does not have the transmission advantage.
【作者單位】： 江蘇第二師范學(xué)院文學(xué)院、江蘇區(qū)域文學(xué)與文化研究中心;
【基金】：國家社科基金項目“《水滸》圖像敘事研究”(項目編號:17CZW066)階段性研究成果
【分類號】：I207.412

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