本文選題：新詩現(xiàn)代性 + 歐陽江河��； 參考：《中國現(xiàn)代文學研究叢刊》2017年10期

【摘要】：以古詩完備的意象體系為參照,堪與新詩相匹配的詞語,究竟該有怎樣的形貌和內(nèi)核?換言之,當古詩中的詞物關系難以再切中現(xiàn)代中國的經(jīng)驗與體驗,新詩的寫作者該如何在無邊的語庫中挑選詞語?這是歐陽江河的寫作呈示出的詩學問題,它不止于個案或一時,而與整個新詩史密切相涉。歐陽江河的詩學之問,是新詩發(fā)生時即已面臨,而今仍未全然解決的基本性問題,甚或根本性難題。本文以歐陽江河為中心,簡要回顧古詩在相關問題上的表現(xiàn),并據(jù)此分析這一關乎新詩命脈的詩學之問;現(xiàn)代體驗復雜、不透明且轉(zhuǎn)瞬即逝,書寫它的新詩,須仰賴詞語的分析性特征和一次性原則,突出微小的差異,這是新詩現(xiàn)代性的內(nèi)在律令和主要內(nèi)涵。
[Abstract]:With the reference of the complete image system of ancient poetry, which can match the new poetry, what kind of appearance and core should there be? In other words, when the relationship between words and objects in ancient poetry can no longer be relevant to the experience and experience of modern China, how should the writers of new poems choose words from the endless library? This is a poetics problem presented by Ouyang River's writing. It is not only a case or a moment, but also closely related to the whole history of new poetry. The poetics of Ouyang River is a basic problem, or even a fundamental problem, which has been faced since the beginning of the new poem and has not yet been completely solved. Taking Ouyang River as the center, this paper briefly reviews the performance of ancient poetry on related issues, and then analyzes the poetics related to the lifeblood of new poetry. The modern experience is complex, opaque and fleeting, and its new poems are written. It is necessary to rely on the analytical characteristics of words and the one-off principle to highlight the minor differences, which are the inner decrees and main connotations of the modernity of new poetry.
【作者單位】： 中央民族大學文學與新聞傳播學院;
【分類號】：I207.25
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本文編號：1815713