中越詩歌關(guān)系視野下的阮保詩歌創(chuàng)作考論
發(fā)布時間:2018-01-11 12:04
本文關(guān)鍵詞:中越詩歌關(guān)系視野下的阮保詩歌創(chuàng)作考論 出處:《西南民族大學(xué)學(xué)報(人文社科版)》2017年08期 論文類型:期刊論文
更多相關(guān)文章: 阮保 應(yīng)制詩 送別詩 虛擬 唐詩
【摘要】:阮保是在以推行漢文化為實質(zhì)的科舉制度下成長起來的一位具有重要個案意義的越南詩人。他留下了越南創(chuàng)作時代最早的應(yīng)制組詩和七言應(yīng)制排律詩,他的應(yīng)制組詩風(fēng)格清婉、用典豐富;應(yīng)制排律詩具有初唐排律聲格流麗、從容頌美的臺閣風(fēng)范。阮保同時還是越南早期留存送別詩最多的詩人,他的送別詩偏離了重在抒發(fā)離情別意的古典漢詩傳統(tǒng),其功能由抒情轉(zhuǎn)為交際,造成了送別雙方在情感交流上的疏離。阮保的詩歌創(chuàng)作深受中國古典詩學(xué)傳統(tǒng)的影響,具體表現(xiàn)為:直接將唐詩移植到自己的詩歌中、化用和借鑒唐詩名句、以唐人名句為詩題和主題進行吟詠;應(yīng)制寓目詩和送別詩沿襲中國詩歌的結(jié)構(gòu)模式;根據(jù)中國古典詩歌的閱讀體驗和生活想象而進行虛擬化創(chuàng)作。通過阮保的創(chuàng)作可以看到,越南詩人在學(xué)習(xí)中國古典詩歌的過程中,由于對傳統(tǒng)詩歌慣例、法則和標(biāo)準(zhǔn)的選擇,推動了越南漢詩在詩歌功能上從抒情轉(zhuǎn)化為應(yīng)用。
[Abstract]:Nguyen Pao is a Vietnamese poet with important case significance who grew up under the imperial examination system with the essence of carrying out the Han culture. He left the earliest composing poems and seven-character poems in the period of Vietnamese creation. His style of composing poems is clear and euphemism, and his usage is rich; In the early Tang Dynasty, Ruan Bao was also the poet who had the most farewell poems in Vietnam. His farewell poem deviates from the tradition of classical Chinese poetry, whose function is from lyric to social. Ruan Bao's poetry creation is deeply influenced by the tradition of Chinese classical poetics, which shows as follows: directly transplanting Tang poetry to his own poetry, and using Tang poem famous sentences for reference. Taking the famous sentences of Tang Dynasty as the title and theme of poems; The structure pattern of Chinese poetry should be followed; According to the reading experience of Chinese classical poetry and imagination of life and virtual creation. Through the creation of Nguyen Pao can be seen that Vietnamese poets in the process of learning Chinese classical poetry due to the tradition of traditional poetry. The choice of rules and standards promotes the function of Vietnamese Chinese poetry from lyricism to application.
【作者單位】: 西南交通大學(xué)人文學(xué)院中文系;
【基金】:北京外國語大學(xué)中國文化走出去協(xié)同創(chuàng)新中心項目“中國古典詩歌的越南接受史研究”(XTCX150618) 四川省社會科學(xué)“十三五”規(guī)劃項目“唐詩對越南古典詩歌傳統(tǒng)形成的影響”(SCB098)階段性成果
【分類號】:I207.22
【正文快照】: 越南漢詩是在中國古典詩歌的影響下發(fā)展起來的,它不僅反映了越南古代的文學(xué)成就,也反映了中越古代文學(xué)存在著密切關(guān)系。然而目前學(xué)術(shù)界對越南漢詩的研究盡管成果豐富,卻仍多停留在概括式和全景式的總體觀照,對于越南漢詩史上重要詩人的個案研究還處于草萊荒蕪之境,這勢必影響
【參考文獻】
相關(guān)期刊論文 前1條
1 劉玉s,
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