【摘要】：正創(chuàng)作一旦太正式了,預(yù)先有了目的和原因,就不自覺(jué)的產(chǎn)生了動(dòng)機(jī),于是畫(huà)面就拼命地走向和諧……這個(gè)是對(duì)的,也是錯(cuò)的。當(dāng)然,藝術(shù)沒(méi)有對(duì)與錯(cuò),要放在具體的語(yǔ)境里面去說(shuō)。展覽往往要求的是一種比較實(shí)的主題,而反射到畫(huà)家的心理就成為一個(gè)可以延展可以深化可以關(guān)照內(nèi)心和成為有關(guān)于藝術(shù)本身的一些暢想與主張……《夢(mèng)之路》表達(dá)的是現(xiàn)實(shí)與夢(mèng)境之間的一種內(nèi)容�，F(xiàn)實(shí)是在生活的某個(gè)情境和比較確定的帶有稱(chēng)謂的地點(diǎn)和借助于相對(duì)具體的一些人物和場(chǎng)景;夢(mèng)境是體驗(yàn)是感受是理想是小到藝術(shù)大到人生的追求。
[Abstract]:Once the creation is too formal, there is a purpose and reason in advance, unconsciously produced motivation, so the picture is desperately moving towards harmony. This is right and wrong. Of course, art is not right or wrong, to put in the specific context to say. Exhibitions often require a more realistic theme. Reflecting on the painter's psychology becomes a way to deepen and take care of the heart and become some fantasies and propositions about art itself. "the Road to Dreams" expresses a kind of content between reality and dreams. Reality is in a certain situation of life and a relatively definite place with appellation and with the help of relatively specific characters and scenes; dream is the pursuit of experience is feeling is ideal is small to art is big to life.
【分類(lèi)號(hào)】：J212
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本文編號(hào)：2477991