淺談水彩創(chuàng)作中的即興表達(dá)
發(fā)布時(shí)間:2018-09-13 09:34
【摘要】:目前中國(guó)的水彩畫(huà)發(fā)展日新月異,水彩畫(huà)的概念由于受到現(xiàn)在中國(guó)文化和觀念的轉(zhuǎn)變也得到了更廣闊的拓展,越來(lái)越有包容性,作畫(huà)風(fēng)格呈多元化。每年各個(gè)省都有大型的水彩展覽,水彩畫(huà)在其他畫(huà)種的地位也明顯提升,欣賞者也越來(lái)越多。但是也面臨著很多深刻的矛盾和問(wèn)題,很難開(kāi)啟觀念層次的藝術(shù)審美意識(shí),缺少深刻的藝術(shù)思維和更豐富的藝術(shù)探索。我們?cè)趯W(xué)習(xí)研究和創(chuàng)作的過(guò)程中,總是會(huì)把水彩的表現(xiàn)當(dāng)做還原客觀物象去表達(dá),用"還原"的方來(lái)當(dāng)做藝術(shù)技藝的追求。這樣水彩畫(huà)就失去了探究豐富藝術(shù)思維和發(fā)掘水彩本身獨(dú)特性質(zhì)的意義。 為了豐富水彩創(chuàng)作的藝術(shù)思維和方式,本文通過(guò)對(duì)即興表達(dá)的探究,讓我們?cè)趧?chuàng)作實(shí)踐的過(guò)程中突破自我,充分發(fā)揮自己的主觀意識(shí)和創(chuàng)造性思維,與傳統(tǒng)的畫(huà)法相結(jié)合創(chuàng)作出具有豐富情感和更具趣味性的作品來(lái)。提高自己的藝術(shù)修養(yǎng),,積累豐富的素材,與外界的刺激產(chǎn)生強(qiáng)烈的碰撞,在突然的創(chuàng)作沖動(dòng)的引導(dǎo)下誘發(fā)我們潛意識(shí)中那份熾熱的情感,為我們以后把握即興創(chuàng)作的動(dòng)機(jī)創(chuàng)造條件。提高畫(huà)者及作品的內(nèi)在品質(zhì),同時(shí)也豐富中國(guó)水彩創(chuàng)作中創(chuàng)新道路發(fā)展的多樣性,使中國(guó)水彩創(chuàng)作的方向不再單一化,更有趣味性審美性和感情色彩。
[Abstract]:At present, watercolor painting in China is developing with each passing day. The concept of watercolor painting has been expanded more and more widely by the change of Chinese culture and concept, more and more inclusive, and the painting style is diversified. Every year there are large watercolor exhibitions in various provinces, watercolor painting in other types of painting has increased significantly, more and more visitors. But it is also faced with many profound contradictions and problems, it is difficult to open the concept of artistic aesthetic consciousness, lack of deep artistic thinking and more rich artistic exploration. In the process of study, research and creation, we always express the expression of watercolor as the objective image, and use the side of "restore" as the pursuit of art and skill. In this way, watercolor painting lost the significance of exploring rich artistic thinking and exploring the unique nature of watercolor itself. In order to enrich the artistic thinking and mode of watercolor creation, this paper, through the exploration of improvisation, let us break through ourselves in the process of creative practice and give full play to our subjective consciousness and creative thinking. Combined with the traditional painting method to create a rich emotional and more interesting works. Improve one's artistic accomplishment, accumulate rich material, produce strong collision with external stimulation, induce the hot emotion in our subconscious mind under the guidance of sudden creative impulse. For us to grasp the motivation of improvisation in the future to create conditions. At the same time, it also enriches the diversity of the innovative road development in Chinese watercolor creation, which makes the direction of Chinese watercolor creation no longer single, more interesting aesthetic and emotional color.
【學(xué)位授予單位】:沈陽(yáng)師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2012
【分類(lèi)號(hào)】:J215
本文編號(hào):2240775
[Abstract]:At present, watercolor painting in China is developing with each passing day. The concept of watercolor painting has been expanded more and more widely by the change of Chinese culture and concept, more and more inclusive, and the painting style is diversified. Every year there are large watercolor exhibitions in various provinces, watercolor painting in other types of painting has increased significantly, more and more visitors. But it is also faced with many profound contradictions and problems, it is difficult to open the concept of artistic aesthetic consciousness, lack of deep artistic thinking and more rich artistic exploration. In the process of study, research and creation, we always express the expression of watercolor as the objective image, and use the side of "restore" as the pursuit of art and skill. In this way, watercolor painting lost the significance of exploring rich artistic thinking and exploring the unique nature of watercolor itself. In order to enrich the artistic thinking and mode of watercolor creation, this paper, through the exploration of improvisation, let us break through ourselves in the process of creative practice and give full play to our subjective consciousness and creative thinking. Combined with the traditional painting method to create a rich emotional and more interesting works. Improve one's artistic accomplishment, accumulate rich material, produce strong collision with external stimulation, induce the hot emotion in our subconscious mind under the guidance of sudden creative impulse. For us to grasp the motivation of improvisation in the future to create conditions. At the same time, it also enriches the diversity of the innovative road development in Chinese watercolor creation, which makes the direction of Chinese watercolor creation no longer single, more interesting aesthetic and emotional color.
【學(xué)位授予單位】:沈陽(yáng)師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2012
【分類(lèi)號(hào)】:J215
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 陶陶;;詩(shī)歌創(chuàng)造中自動(dòng)化構(gòu)思諸種形態(tài)——原初生命感物與主體無(wú)聞無(wú)識(shí)[J];湖北廣播電視大學(xué)學(xué)報(bào);2006年06期
2 黃增炎;關(guān)于“性情”與創(chuàng)作[J];美術(shù);2002年01期
相關(guān)碩士學(xué)位論文 前1條
1 李楊;論水彩畫(huà)“即興”演繹[D];東北師范大學(xué);2010年
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