中西繪畫中私密行為表達之比較
發(fā)布時間：2018-09-11 14:34
【摘要】：有關(guān)私密性題材的繪畫在當(dāng)代中國油畫中并不罕見,但是在舊時之中國,此類型的繪畫卻總是難登大雅之堂。對于當(dāng)代中國藝術(shù)家來說,此類型的繪畫對于彰顯人性,表現(xiàn)人的生命力,以及表達其對自由的追求卻是一個有力的切入點。并且在全球化的趨勢之下,許多藝術(shù)家都或多或少的受到了西方審美趣味及價值觀的影響。本文的重點則在于論述和分析在不同的社會律例及審美觀念的影響下,私密性題材的繪畫于東西方之間的異同之處。通過讀圖及對比工作,我們大致上可以看到私密性繪畫的表現(xiàn)與其所屬社會各個方面之間的千絲萬縷的聯(lián)系。由此理解私密性題材繪畫的呈現(xiàn)方式,同時能夠加深對于東西方審美趣味、價值觀之異同的理解,并能夠更深的體會與之相關(guān)的時代、社會。 本文共分三個部分進行論述。第一部分對于環(huán)境心理學(xué)中的私密性以及私密行為的概念進行簡要論述并為本文的展開與討論提供基礎(chǔ)；第二部分是本文的重點論述章節(jié),即對東西方關(guān)于私密性題材繪畫的異同進行比較并對典型形式進行分析；第三部分論述當(dāng)代中國畫家對于此類型題材表達的特點。
[Abstract]:Privacy painting is not uncommon in contemporary Chinese oil painting, but in old China, this kind of painting is always difficult to be elegant. For contemporary Chinese artists, this type of painting is a powerful breakthrough point for showing human nature, expressing human vitality and expressing their pursuit of freedom. And in the trend of globalization, many artists are more or less influenced by Western aesthetic taste and values. The emphasis of this paper is to discuss and analyze the similarities and differences between the East and the West under the influence of different social laws and aesthetic concepts. By reading pictures and comparing them, we can generally see the inextricable connection between the expression of privacy painting and all aspects of the society to which it belongs. From this understanding of the privacy of the subject of painting presentation, at the same time can deepen the eastern and western aesthetic taste, values of the similarities and differences, and can be a deeper understanding of the related era, society. This paper is divided into three parts. The first part briefly discusses the concepts of privacy and private behavior in environmental psychology and provides the basis for the development and discussion of this paper. The third part discusses the characteristics of contemporary Chinese painters' expression of this type of subject matter.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J20-03
[Abstract]:Privacy painting is not uncommon in contemporary Chinese oil painting, but in old China, this kind of painting is always difficult to be elegant. For contemporary Chinese artists, this type of painting is a powerful breakthrough point for showing human nature, expressing human vitality and expressing their pursuit of freedom. And in the trend of globalization, many artists are more or less influenced by Western aesthetic taste and values. The emphasis of this paper is to discuss and analyze the similarities and differences between the East and the West under the influence of different social laws and aesthetic concepts. By reading pictures and comparing them, we can generally see the inextricable connection between the expression of privacy painting and all aspects of the society to which it belongs. From this understanding of the privacy of the subject of painting presentation, at the same time can deepen the eastern and western aesthetic taste, values of the similarities and differences, and can be a deeper understanding of the related era, society. This paper is divided into three parts. The first part briefly discusses the concepts of privacy and private behavior in environmental psychology and provides the basis for the development and discussion of this paper. The third part discusses the characteristics of contemporary Chinese painters' expression of this type of subject matter.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J20-03
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1 張勵民;論中西繪畫的融合是一種趨勢[J];民族藝術(shù)研究;2002年01期
2 朱穎人;朱穎人;朱穎人;;中西繪畫的差異與聯(lián)系——隨顏文j、林風(fēng)眠、關(guān)良、潘天壽、吳，
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