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壽州窯專題博物館陳列設(shè)計

發(fā)布時間:2018-08-12 14:15
【摘要】:博物館作為一個城市文化建設(shè)的重要組成部分,是展現(xiàn)該市文化內(nèi)涵的重要窗口——通過這個窗口我們可以了解其深厚的文化底蘊和良好的精神風(fēng)貌?傮w而言,博物館為民眾提供了一個展示人類文化遺產(chǎn)的場所,是一個國家或地域文化的集中體現(xiàn)。具體到專題博物館而言,它不僅要滿足人們對某一類展品觀賞的需求,還須對該領(lǐng)域有著深入的研究,盡管這種研究一般都具有很強(qiáng)的主體性。一個好的專題展覽陳列往往要全面、專業(yè)地把其自身的文化展現(xiàn)在觀眾面前,使人們在欣賞博物館藏品的同時融入其文化內(nèi)涵當(dāng)中。在走訪了淮南市所有的的文博單位之后,筆者發(fā)現(xiàn)他們在陳列方面主要是以各個專題串聯(lián)陳列為主,目的是要彰顯其綜合博物館的地位,而在這其中并未發(fā)現(xiàn)以專題博物館來全面展示壽州窯的歷史文化是和傳統(tǒng)技藝的。在梳理壽州窯的歷史發(fā)展脈絡(luò)和研究現(xiàn)狀的基礎(chǔ)上,筆者設(shè)計了一個專題性的博物館陳列方案。在結(jié)合歷史知識和考古發(fā)現(xiàn)的前提下,本方案分為四個展廳:第一展廳"壽州窯發(fā)現(xiàn)與分布",第二展廳"壽州窯燒造工藝",第三展廳"壽州窯產(chǎn)品",第四展廳"壽州窯重獲新生"。上述展廳在設(shè)計過程中又采用了三種展示形式:一為場景復(fù)原式,此法得益于安徽省文物考古所在淮南地區(qū)的多次考古發(fā)掘,故壽州窯的場景復(fù)原具備了得天獨厚的條件。二則互動體驗式,在重現(xiàn)壽州窯的燒制過程中希望觀眾能夠參與其中以期達(dá)到理想的展示效果。三曰先進(jìn)性體驗,先進(jìn)的多媒體技術(shù)為參觀者提供多元化、立體式的觀賞。在文末,筆者提出了三點思考,即陳列展覽需要明確主題思想,其主旨需堅持以人文本,同時也應(yīng)避免過度的娛樂化,如此方能更好地呈現(xiàn)出專題博物館的意境和內(nèi)涵。
[Abstract]:As an important part of the cultural construction of a city, a museum is an important window to show the cultural connotation of the city - through which we can understand its profound cultural heritage and good spiritual outlook. As far as thematic museums are concerned, they should not only satisfy people's demand for a certain kind of exhibits, but also have a deep research in this field, although this research is generally very subjective. After visiting all the cultural exhibition units in Huainan City, the author finds that they mainly display themes in series with the purpose of highlighting the status of their comprehensive museums, in which no thematic museums are found. On the basis of combing the historical development and current research situation of Shouzhou kiln, the author designs a special museum display scheme. On the premise of combining historical knowledge and archaeological discovery, the scheme is divided into four exhibition halls: the first exhibition hall "discovery and distribution of Shouzhou kiln", the second exhibition hall "discovery and distribution of Shouzhou kiln". The exhibition hall "Shouzhou kiln firing technology", "Shouzhou kiln products" in the third exhibition hall and "Shouzhou kiln regeneration" in the fourth exhibition hall are designed in three forms: one is scene restoration, which benefits from many archaeological excavations in Huainan area of Anhui Province, so the scene restoration of Shouzhou kiln has a splendid prospect. The third is advanced experience, advanced multimedia technology for visitors to provide diversified, three-dimensional viewing. At the end of the article, the author puts forward three points of thinking, that is, display exhibition needs to be clear about the main. The theme idea should adhere to the human text and avoid excessive entertainment, so as to better present the artistic conception and connotation of thematic museums.
【學(xué)位授予單位】:安徽大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:G265

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

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2 黎亦淮;;論如何發(fā)揮專題性博物館在免費開放博物館事業(yè)中的作用[J];大眾文藝(理論);2009年06期

3 王科奇;專題性博物館建筑表達(dá)中的詩性思維[J];吉林建筑工程學(xué)院學(xué)報;2002年02期

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