本文選題：時裝 + 時裝展示�。� 參考：《西安建筑科技大學(xué)》2011年博士論文

【摘要】：本論文從歷史學(xué)的角度和比較研究的方法，以時裝展示的建筑空間作為研究對象，按照發(fā)展時間的順序，客觀闡述作為時裝展示的建筑空間：產(chǎn)生、發(fā)展、演變過程中的特征和變化規(guī)律，以及長期發(fā)展而形成的建筑類型和風(fēng)格。通過時裝展示與建筑空間的關(guān)系，解析時裝展示的建筑空間對城市景觀產(chǎn)生的作用，給人們的生活方式、審美趣味、價值取向帶來的影響，進而對未來時裝展示的建筑空間合理化發(fā)展提供更加切實有效的理論依據(jù)和研究基礎(chǔ)。 論文中的時裝展示是指時裝作為商品或藝術(shù)品用以銷售、推廣或藝術(shù)欣賞等需要，用靜態(tài)（陳列）或動態(tài)（表演）的形式將時裝商用與藝術(shù)意圖表現(xiàn)出來的方法。時裝展示在內(nèi)涵豐富、形態(tài)多樣的建筑空間中[商業(yè)建筑（時裝店、百貨商場、酒店）、觀覽建筑（美術(shù)館、博物館）、紀(jì)念性建筑（城墻、宮殿、遺址）、體育建筑（足球場、游泳館）等]將自身的魅力得以充分展現(xiàn)，進而達到提升形象、促成消費的目的。時裝展示的產(chǎn)生和發(fā)展不僅豐富了建筑空間的內(nèi)容和形式，更賦予很多建筑空間新的意義。在新世紀(jì)新時代下，時裝業(yè)對建筑空間的依賴日漸加強，時裝展示的建筑空間呈現(xiàn)出更加繁榮多樣的趨勢，而關(guān)于時裝展示的建筑空間還沒有系統(tǒng)科學(xué)性的理論指導(dǎo)，鑒于這一研究領(lǐng)域的稀缺和相關(guān)空白，以及從事建筑、服飾相關(guān)專業(yè)人士對時裝展示空間理論知識的迫切需求。 本文分3部分對時裝展示與建筑空間的關(guān)系進行了相關(guān)研究： 首先，以歷史學(xué)的角度考證了時裝展示的建筑空間產(chǎn)生及早期的類型和特點。在時裝業(yè)開始逐步發(fā)展的過程中，正是現(xiàn)代城市商業(yè)化開始的時期，本文對時裝展示的建筑空間在城市中由點到線再到面的發(fā)展規(guī)律所形成的城市景觀作了歸納和總結(jié)，同時也將時裝展示的建筑空間與城市的協(xié)同發(fā)展所要求的技術(shù)參數(shù)做了分析研究，這些研究不僅明確了時裝展示的建筑空間自身發(fā)展的方向，同時也以時裝展示的建筑空間的角度對城市發(fā)展的歷史作了相關(guān)補充。（本論文第2、3章） 第二，用類型學(xué)的方法通過大量的資料對時裝展示的建筑空間進行了分類（時裝商業(yè)空間和時裝展覽空間），并總結(jié)了各個時裝展示的建筑空間類型展示時裝的特點以及每個時期的代表風(fēng)格。（本論文第4、5章） 第三，對時裝展示與建筑空間在長期共融發(fā)展中表現(xiàn)在空間、結(jié)構(gòu)、界面框架中的實例，分析研究時裝展示在建筑空間中的設(shè)計方法和策略，并提出了一些具體的建議和改進方法，對未來時裝展示建筑空間的發(fā)展趨勢做了預(yù)判。（本論文第6、7章） 本論文通過跨學(xué)科比較的方法，從時裝展示與建筑空間的關(guān)系入手，，立足于人、時裝、建筑共融的視域，多維度深層次探討時裝展示的建筑空間與城市形態(tài)、人的價值認同和歸屬之間的關(guān)系，結(jié)合經(jīng)濟、政治、建筑學(xué)、藝術(shù)學(xué)、時裝展示設(shè)計等相關(guān)的理論知識進行了系統(tǒng)的分析研究，對建筑本身發(fā)展的歷史進行了補充，對我國城市商業(yè)化發(fā)展和人民生活水平的提高具有現(xiàn)實的啟發(fā)和指導(dǎo)意義。
[Abstract]:This paper, from the perspective of history and the method of comparative study, takes the architectural space of fashion display as the research object. According to the order of development time, this paper objectively expounds the architectural space of fashion display: the characteristics and changes in the process of production, development and evolution, as well as the type and style formed in the long period of development. The relationship between the exhibition and the building space is presented to analyze the effect of the architectural space on the urban landscape, the influence of the life style, the aesthetic taste and the value orientation of the people, and to provide a more effective theoretical basis and research foundation for the development of the building space in the future fashion display.
Fashion display in this paper refers to the way fashion is used as a commodity or art for sale, promotion or art appreciation, such as the use of static (display) or dynamic (performing) forms to show the fashion business and artistic intentions. Fashion shows in rich and diverse architectural spaces [commercial buildings (stores, Department stores, wine) The appearance and development of the fashion show not only enrich the content and form of the building space, but also give a lot of architectural space to the building space. In the new century, in the new century, the fashion industry is increasingly dependent on the building space, and the architectural space of the fashion display shows a more prosperous and diverse trend, and the architectural space of the fashion display has no systematic and scientific theoretical guidance, in view of the scarcity and related gaps in this field, as well as the building, Decorating relevant professionals' urgent need for fashion display space theory.
This article is divided into 3 parts to study the relationship between fashion show and architectural space.
First, it examines the generation of architectural space and the early types and characteristics of the fashion display in the historical perspective. In the process of the gradual development of the fashion industry, it is the beginning of the modern city commercialization. This article has made the urban landscape of the building space in the fashion display in the city from the point of point to line to surface. At the same time, the paper analyzes the technical parameters required by the architectural space of fashion display and the coordinated development of the city. These studies not only clarify the direction of the development of the architectural space of the fashion display, but also supplement the history of the urban development with the view of the architectural space of the fashion display. Chapter 2,3)
Second, using the method of typology to classify the architectural space of fashion display through a large amount of information (Fashion commercial space and fashion exhibition space), and summarize the characteristics of the fashion display and the representative style of each period. (Chapter 4,5 of this paper)
Third, the design method and strategy of fashion display in the building space are analyzed and studied in the space, structure and interface frame in the long term communion development of fashion display and building space, and some specific suggestions and methods of improvement are put forward, and the development trend of the future fashion exhibition building space is prejudged. Chapter 6,7)
This paper, through the method of interdisciplinary comparison, starts with the relationship between fashion display and architectural space, based on the view of people, fashion and architecture, and probes into the architectural space and urban form of fashion display, the relationship between the value identification and ownership of the people, and the integration of economic, political, architectural, artistic, fashion display and so on. The relevant theoretical knowledge has been systematically analyzed and studied. The history of the development of the architecture itself is supplemented, which has practical enlightening and guiding significance for the commercial development of our cities and the improvement of the people's living standards.
【學(xué)位授予單位】：西安建筑科技大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2011
【分類號】：TS942.8;TU-024

【引證文獻】

相關(guān)碩士學(xué)位論文 前1條

1 張桂鳳;校史館設(shè)計的文化定位及其表現(xiàn)形式的研究[D];東華大學(xué);2014年

本文編號：2057164