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懷斯與艾軒、何多苓繪畫之關系

發(fā)布時間:2018-05-07 05:04

  本文選題:“懷斯風” + 影響 ; 參考:《曲阜師范大學》2014年碩士論文


【摘要】:20世紀70年代末80年代初以描寫鄉(xiāng)村生活為題材的鄉(xiāng)土寫實主義繪畫思潮在國內一度盛行,,在這期間安德魯·懷斯作為美國寫實主義繪畫的代表畫家之一,其作品對一些中國畫家產(chǎn)生了重要的影響。其中有很多畫家借鑒了懷斯的藝術形式并試圖模仿他。 本篇論文以懷斯的藝術在中國的影響為主要的研究對象,以受懷斯影響較深的艾軒、何多苓為例,探討由他們所代表的“懷斯風”創(chuàng)作風格的特點,與懷斯的關聯(lián)等問題,同時兼論“懷斯風”現(xiàn)象在國內盛行的原因。主要從艾軒、何多苓兩位畫家的作品與懷斯作品的對比入手,結合國內的時代背景和主觀因素,繼而深入的了解“懷斯風”現(xiàn)象的實質,探討“懷斯風”現(xiàn)象在國內產(chǎn)生的原因。本文分為四個部分進行闡述,第一部分主要介紹當時中國美術界與懷斯有關的出版物和展覽現(xiàn)象以及受懷斯影響的中國油畫界。主要列舉現(xiàn)象,用現(xiàn)象說明懷斯熱的程度。第二部分和第三部分是本篇論文的重點,主要以艾軒與何多苓為例論述懷斯對中國畫家產(chǎn)生的影響以及他們是如何將他人的藝術風格融入自己繪畫的過程。從艾軒與何多苓藝術的特征、藝術作品中的懷斯圖示和與懷斯作品的異同等方面來闡釋艾軒與何多苓對懷斯藝術的演繹。第四部分試圖探討“懷斯風”現(xiàn)象在中國興起的原因,結合國內特定時代背景等客觀因素,從情感的共鳴和獨特的表現(xiàn)形式這兩個角度進行探討。
[Abstract]:In the late 1970s and early 1980s, the trend of rural realism painting was popular in China, during which Andrew Wise was one of the representative painters of American realistic painting. His works have had an important impact on some Chinese painters. Many of them drew on Wise's artistic form and tried to imitate him. This paper takes the influence of Wise's art in China as the main research object, and takes Ai Xuan and Ho Do-ling, who are deeply influenced by Wise, as examples to discuss the characteristics of Wise's style of writing and its relation with Wise. At the same time, it also discusses the reason why the phenomenon of "Wise Wind" prevails in China. Starting from the comparison between the works of Ai Xuan and he Do-ling and Wise's works, combining the background of the times and subjective factors in our country, we then deeply understand the essence of the phenomenon of "Wise Wind". This paper probes into the causes of the phenomenon of "Wise Wind" in China. This paper is divided into four parts to elaborate. The first part mainly introduces the publications and exhibition phenomena related to Wise and the Chinese oil painting circle influenced by Wise. Mainly enumerate the phenomenon, use the phenomenon to explain the degree of Wise fever. The second part and the third part are the focus of this paper, mainly take Ai Xuan and he Douling as examples to discuss the influence of Wise on Chinese painters and how they integrate the artistic style of others into their own painting process. From the characteristics of Ai Xuan and he Do-ling 's art, the Wise figure and the similarities and differences between Ai Xuan and Ho Do-ling 's works, this paper explains the interpretation of Wise art by Ai Xuan and he Do-ling. The fourth part attempts to explore the reasons for the rise of "Wise Wind" in China, combining with the domestic specific background of the times and other objective factors, from the emotional resonance and unique form of expression to explore the two angles.
【學位授予單位】:曲阜師范大學
【學位級別】:碩士
【學位授予年份】:2014
【分類號】:J205

【參考文獻】

相關期刊論文 前9條

1 黃Z

本文編號:1855518


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