發(fā)布時(shí)間：2018-03-17 22:26

  本文選題：水彩畫　切入點(diǎn)：風(fēng)格　出處：《東北師大學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版)》2017年04期 　論文類型：期刊論文

【摘要】：當(dāng)代中國(guó)水彩畫發(fā)展進(jìn)程中官方展覽具有不可替代的重要作用,在與水彩畫展相關(guān)的諸多因素中,展覽的評(píng)獎(jiǎng)是最重要的方面。藝術(shù)的價(jià)值在于創(chuàng)造,具有轉(zhuǎn)型風(fēng)格的作品在水彩畫發(fā)展進(jìn)程中更加具有學(xué)術(shù)價(jià)值。不論是展覽評(píng)獎(jiǎng)(美術(shù)批評(píng)),還是案例分析(美術(shù)本體研究)都在風(fēng)格價(jià)值判斷這個(gè)點(diǎn)上交叉。在眾多研究美術(shù)作品形式風(fēng)格的理論中,瑞士美術(shù)家海因里�！の譅柗蛄值睦碚摳咧笇�(dǎo)意義。以他的形式風(fēng)格分析方法為基礎(chǔ),結(jié)合中國(guó)官方水彩畫展覽的典型作品案例,從風(fēng)格特征的判斷、民族文化傳統(tǒng)的影響、作品時(shí)代背景等方面多角度、多維度進(jìn)行解析,力圖使水彩畫風(fēng)格的成因研究具有可依據(jù)的方法和理論支撐,從而為水彩畫創(chuàng)作和教學(xué)提供有效的方法和理論依據(jù)。
[Abstract]:The official exhibition plays an irreplaceable role in the development process of contemporary Chinese watercolor painting. Among the many factors related to the watercolor painting exhibition, the award of exhibition is the most important aspect. The value of art lies in creation. Works with transformational style have more academic value in the development of watercolor painting. Both exhibition awards (art criticism) and case study (art ontology study) are intersected in the judgment of style value. Among many theories that study the formal style of art works, The Swiss artist Heinrich Wolflin's theory is more instructive. Based on his formal style analysis method, combined with the typical examples of Chinese official watercolor exhibitions, judging the style characteristics and the influence of national cultural traditions, In order to provide effective methods and theoretical basis for the creation and teaching of watercolor painting, this paper tries to make the research on the origin of watercolor painting style have the method and theoretical support.
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本文編號(hào)：1626769