本文選題：象形設(shè)計(jì)　切入點(diǎn)：陶瓷茶具　出處：《湖南工業(yè)大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：中國(guó)是茶文化的故鄉(xiāng),在人類社會(huì)發(fā)展中有著悠久的歷史。作為它的承載者——茶具,在歷史及現(xiàn)代生活中都有著相當(dāng)重要的地位,具有深厚的文化底蘊(yùn)和較高的審美價(jià)值。隨著現(xiàn)代社會(huì)審美需求的差異化,象形設(shè)計(jì)已經(jīng)逐步成為藝術(shù)設(shè)計(jì)師追求個(gè)性的首選形式。他們從大自然的動(dòng)植物、生活中常見物體、甚至微生物的身上尋求創(chuàng)作靈感,進(jìn)行具有象形意義的產(chǎn)品設(shè)計(jì),實(shí)現(xiàn)新的突破,達(dá)到器法自然的目的,提升生活藝術(shù)境界。本課題以“相界”品牌象形陶瓷茶具及包裝設(shè)計(jì)為研究方向,通過對(duì)研究對(duì)象與背景的調(diào)研和分析,深入了解象形設(shè)計(jì)的概念、表現(xiàn)手法以及在當(dāng)代陶瓷茶具設(shè)計(jì)中的運(yùn)用,對(duì)自然中植物、動(dòng)物及人物動(dòng)態(tài)的形態(tài)進(jìn)行挖掘與提煉,找到最適合本課題的表現(xiàn)形式,設(shè)計(jì)出與“象形”主題貼切的陶瓷茶具,突破傳統(tǒng)陶瓷茶具單一造型和機(jī)器加工的生硬感,更好地突顯生活用品的藝術(shù)化。在包裝設(shè)計(jì)研究上,突破傳統(tǒng)四方禮盒空間浪費(fèi)模式,以低碳綠色設(shè)計(jì)為目標(biāo),以中國(guó)傳統(tǒng)美學(xué)中“謝赫六法論”之應(yīng)物象形為設(shè)計(jì)理念,刻畫其形態(tài)外觀,對(duì)象形陶瓷茶具進(jìn)行應(yīng)物設(shè)計(jì),做到因“器”而異、“器法自然”。
[Abstract]:China is the hometown of tea culture and has a long history in the development of human society. As the bearer of tea set, tea set plays a very important role in history and modern life. With the difference of aesthetic demand in modern society, pictographic design has gradually become the preferred form for artistic designers to pursue their individuality. Even the body of microbes seeks inspiration for creating products with pictographic significance, so as to achieve new breakthroughs, and achieve the purpose of using the instrument as a natural method. Improve the artistic realm of life. This subject takes "Xiangjie" brand pictographic ceramic tea set and packaging design as the research direction, through the investigation and analysis of the research object and background, deeply understand the concept of pictographic design. The expression technique and the application in the contemporary ceramic tea set design, excavate and refine the dynamic forms of the plants, animals and characters in nature, find the most suitable expression form for this subject, and design the ceramic tea set which is suitable for the theme of "pictograph". To break through the rigid feeling of single modeling and machine processing of traditional ceramic tea sets, and better highlight the artistry of daily necessities. In the research of packaging design, it breaks through the waste mode of traditional square gift box space and takes low carbon green design as the goal. Taking the pictogram of the six methods of Sheikh's theory in Chinese traditional aesthetics as the design idea, the shape and appearance of the object shaped ceramic tea set are depicted, and the object shaped ceramic tea set is designed to be different because of the "apparatus" and "the method of the vessel is natural".
【學(xué)位授予單位】：湖南工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TS972.23;TB482

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